Your life experience is a moving picture, of which you are writer, director, performer, producer and critic.
The VCR is to the American film producer and the American public as the Boston Strangler is to the woman alone.
I actually became a producer because I saw the producers getting all the babes. They were stealing them from the guitarists.
When I'm not singing, I'm a lot of persons: I'm a producer. I'm a badminton player. I'm a writer. I'm a movie freak. I'm a documentary maker.
On Belle de Jour, the producer was very protective. It was very hard for me.
In 2009, I served as AARP's Ambassador of Caregiving. With a producer and cameraman, I traveled the country for months, interviewing hundreds of caregivers.
On my 'Mickey' video, I was the director, producer, choreographer, editor, singer - everything.
The usual key to getting films made seems to be a producer's terrier-like determination not to let it go. Unfortunately, such producers often seem prone to sinking their claws into mediocre projects.
The artist is seen like a producer of commodities, like a factory that turns our refrigerators.
Every man is a consumer, and ought to be a producer. He is by constitution expensive, and needs to be rich.
Innovation comes from the producer - not from the customer.
From the engineer to the producer, all of these roles are critical to creating a song.
I'm a human entropy producer.
I want to be an executive producer.
I've been accused of being unambitious, but what I do takes up every minute. I'm executive producer, I'm a writer and the host.
As an executive producer, I feel really lucky.
I wanted to be a film and television writer and producer.
The problem is that to be a producer, one must be a gambler, and the greatest French producers were gamblers.
As a producer, I'm quite nurturing, I like working with inexperienced, unseasoned directors.
Susie Lynn, the producer of those segments, goes in and lays all the voices over the video.
