With Connery, he does act. He is in complete command. He completely trusts the person first, then the instrument. I've worked with his son also, on a picture in Russia.
There is one confrontation scene toward the end of the picture. In the middle of the scene, I thought, That's Sean Connery! I don't know how else to describe Sean Connery. I still feel that way.
The mainstream audience has a certain picture of what climbing is all about: man conquering mountain. But you can't conquer a mountain, though it may conquer you.
Do some selfless service for people who are in need. Consider the whole picture, not just our little selves.
One does not contemplate it like a picture. The idea of contemplation disappears completely. Simply take note that it's a bottle rack, or that it's a bottle rack that has changed its destination... It's not the visual question of the readymade that counts; it's the fact that it exists, even.
When I was a kid, I got to meet Shawn Michaels at the Continental Airlines Arena, and I showed Shawn that picture.
I worry that when educational counselors and teachers call in families with concerns about a child having a learning disability, we aren't always looking at the complete picture.
When I get an idea for a book, something appeals to me, it's usually a character. I'll see a picture of a female marshal in front of the courthouse in Miami and she's got a shotgun on her hip and it goes up on an angle. And she's good-looking. And I say, 'I've got to use her.'
I don't think, 'Gee, I'd like to dress this person.' There was a picture in Us magazine. It was a jersey dress, and Courtney Love was wearing it. I have this thing about Courtney Love, this funny worship.
An image is not simply a trademark, a design, a slogan or an easily remembered picture. It is a studiously crafted personality profile of an individual, institution, corporation, product or service.
When I think about the songs I might record, I ask myself, 'Can I picture anybody I know back home sitting in their truck cranking this up?'
The creative artist seems to be almost the only kind of man that you could never meet on neutral ground. You can only meet him as an artist. He sees nothing objectively because his own ego is always in the foreground of every picture.
The first picture of me that I know of was me in the crib wearing a pair of cowboy boots.
When I first saw a picture of the crucifixion, I lost respect for my parents. I suddenly realised that this is what the adult world is like - full of cruelty and hypocrisy.
When coal came into the picture, it took about 50 or 60 years to displace timber. Then, crude oil was found, and it took 60, 70 years, and then natural gas. So it takes 100 years or more for some new breakthrough in energy to become the dominant source. Most people have difficulty coming to grips with the sheer enormity of energy consumption.
When coal came into the picture, it took about 50 or 60 years to displace timber. Then crude oil was found, and it took 60, 70 years, and then natural gas. So it takes 100 years or more for some new breakthrough in energy to become the dominant source.
Mugabe had a very strange quality about him. He was dapper. He had the strangest skin - it looks very shiny, but it's not oily. It's stretched very finely over his flesh. His eyes have layers of cyan crystals in them. It was a quiet, dark moment when I took his picture.
My father? I never knew him. Never even seen a picture of him.
My mother was a fastidious and orderly homemaker. I was the messy but creative type. I picture her following behind me through life with a damp rag and an air of exasperation.
Don't get between me and a really good picture in the darkroom, because then I want to go straight to the darkroom and develop it. But once that's done, I'm fine.