Many people in the intellectual elite are very scared of shouting. They insist on very quiet murmurs.
It's the invincible arrogance of Europe's elites that gets me. These are people who have seen the euro collapse. These are people who are presiding over a migration crisis on their borders, and yet do they ever acknowledge that they need to change? No. They say they need more integration, more of our money, more control over this country.
I think it's time that we said to people who are incapable of acknowledging that they've ever got anything wrong: 'I'm sorry, you've had your day.' Unelected, unaccountable elites, I'm afraid it's time to say, 'You're fired. We are going to take back control.'
The ability to choose who governs us, and the freedom to change laws we do not like, were secured for us in the past by radicals and liberals who took power from unaccountable elites and placed it in the hands of the people.
The main threat to the future of Europe is not those who want to come here to live but our own political, economic, and intellectual elites bent on transforming Europe against the clear will of the European people.
I like the elitism of the art world. I think art for the people is a terrible idea.
It was easy to persecute me without people feeling ashamed. It was easy to vilify me and project me as a woman who was not following the tradition of a 'good African woman' and as a highly educated elitist who was trying to show innocent African women ways of doing things that were not acceptable to African men.
The cliche of what a rock star is - there's something elitist about it. I never related to that. I'm an entertainer. I think of it as, you're performing for people. It's not a self-glorification thing.
People get very trapped where they are. When they hear 'fashion' they get intimidated, particularly at the upper end because it's so elitist.
People who know me well, call me Elizabeth. I dislike Liz.
If only Queen Elizabeth II had the intellectual, political and linguistic skills of Queen Elizabeth I, many people would support giving her some of the powers of an elected president.
Frank Sinatra changed people's approach to singing. Ella Fitzgerald, Marvin Gaye, van Gogh, they were all part of movements that allowed people to think about their craft differently. They changed the game. These people changed the game.
I look at the careers of people I'm standing on the shoulders of. People like Lena Horne, Ella Fitzgerald, Sammy Davis Jr., and Sarah Vaughan. These are icons I wanted to emulate, and I feel like they've been holding me up for quite a long time.
People like Ella Fitzgerald, Lena Horne, Marlene Dietrich and Sammy Davis Jr. all walked me down this path of entertainment.
I grew up listening to all kinds of music. When I came up, you would hear people like Marvin Gaye talking about Sarah Vaughan. You would go to a show and see Ella Fitzgerald performing the music of the Beatles.
I want to thank the people at UMass, Memphis, and Kentucky for giving Ellen and I an opportunity to coach at three great institutions.
I went on Ellen once, and even then, I was just a bad performer. It was nerve-racking at first playing in front of all her fans who really wanted to see her. Her fans are so young and accepting to new people, and it helped that they knew 'Marvin Gaye,' too.
I did a picture called 'Lovely, Still' with Ellen Burstyn, We screened it to the AARP people in Las Vegas, 2000 of them. We got a standing ovation from people who couldn't stand.
People ask if I'm concerned about getting pigeonholed. No one asks, 'Ellen, you've done seven straight roles in a row. Shouldn't you shake it up, do something queer?' There's still that double standard.
When I watched Ellen come out in '97, my jaw was on the floor. I thought, There are some people who break the doors down, hold them open, and some people who walk right through.
