I would like to say a few things about that photo in 'Tatler'. I have no regrets. The article was about the 20 cleverest people in England, covered up only by the thing that makes them clever. A saxophonist, for example, had only his saxophone, and an artist, his easel. So I was covered by books.
People in England talk about stupid Hollywood idiots, but the industry attracts some of the cleverest people in the world.
The thing is, comedy's gone in a weird direction. People are really into ironic comedy and fakeness and cleverness.
The great thing about Twitter is, you get a lot back, and I read through a lot, and I want my fans to know that I do read a lot, and it's why I do respond or retweet clever posts, and I'm constantly amazed by the cleverness of people on Twitter.
I hate the the word 'disempower,' because it seems kind of cliche, but I do think that we take people's ability to self-teach away by creating this idea that that someone else has to do this for you, that you have to take a course, you have to do it in some formal way.
Not to sound cliche, but some of the first things that I bought were for my homies and my team: making sure the people that helped me and ensured my security and safety during my come-up, while I was broke, had the opportunity to be okay.
Stardom is a magical yet freakish situation at times. It's a cliche but very true that at times, you feel so alone, even when you're surrounded by so many people.
I don't know, I find that honestly, the stand-up thing in some ways is a little bit of a cliche to carry around, because people don't consider stand-ups really actors.
I don't feel the need to direct. I tried to get other people to direct Dances, but they wouldn't do it. They all thought it was too long. One director wanted to cut the Civil War sequence. Another thought the white woman was very cliched.
In my time since moving to the United States, I've found that there is a dearth of great writing for black people. There are stories that depict us in a way that isn't cliched or niche, and that a white person, a Chinese person, an Indian person can watch and relate to. Those are the stories I want to be a part of telling.
It's likely that taboo words are stored in the right hemisphere of the brain. Massive left hemisphere strokes or the entire surgical removal of the left hemisphere can leave people with no articulate speech other than the ability to swear, spout cliches and song lyrics.
I don't think that people generally realize what the motion picture industry has done to the American Indian, as a matter of fact, all ethnic groups. All minorities. All non-whites. People just simply don't realize. They take it for granted that that's the way people are going to be presented and that these cliches are just going to be perpetuated.
I'm a gay man, living an out life for a long time, and it's tiring and anger-making to hear people continue to spit out the same old dreary cliches about the fact that gay men are doing something unnatural, and there'll be a price to pay when the Rapture happens.
I think everything's experimental whether you like it or not. I think that people who do generic pop are experimenting with cliches. It's no less than I am experimenting with noise or unknown music - until you say, 'This is my song, or this is my composition' - it's all experimental, whether you like it or not.
I definitely think there's some way to understand how people emotionally feel about somebody, but I don't think data collects it. They're not going to click your bit.ly link or click your TweetMeme retweet every time.
It was really hard explaining the Web before people just got used to it because they didn't even have words like click and jump and page.
I'm so used to America, used to the traffic in L.A., and I don't really feel it click with the Korean culture. But obviously, I have a Korean face, and I feel like that's just - you know, I can't walk around people like I'm, like, straight-up American. It's like, I'm Korean American. My parents are from Korea.
Now an audience of more than 1 billion people is only a click away from every voice online, and remarkable stories and content can gain flash audiences as people share via social networks, blogs and e-mail. This radically equalizes the power relationship between, say, a blogger and a multibillion dollar corporation.
I remember hearing people like Joe Cocker, Fleetwood Mac, and Elvis. My parents were big fans of them, and they were the early seeds. My brother was more into Slipknot, and I still listen to them, too, but it wasn't until I listened to Paolo Nutini that it really clicked.
M*A*S*H' was a collection of people, in front of and behind the cameras, that really clicked.
