As a writer, as a lyricist, you're just trying to make sure that you're not repeating yourself. And that's a danger for a lot of people. So for me, I just try to keep taking corners and trying to find new paths.
Every revolutionary poet or lyricist has been criticised for something. If you come up with something new, there will always be people who will object to it.
When you hear my lyrics, you hear the shots that I throw at people. I throw shots because I always been the underdog. I got rejected so many times, and I say it in my lyrics constantly.
My lyrics aren't offensive. Some people find everything offensive.
One of my big goals as a human being is to continue to write what's really happening to me, even if it's a tough pill to swallow for people around me... I do fear that if I ever were to have someone in my life who mattered, I would second-guess every one of my lyrics.
When I wrote the lyrics, melodies, and the first themes of 'Serendipity,' I tried to come up with some rare things you find in life, something very special, like the calico, three-striped cat; things that have extraordinary meanings in people's lives.
Ma Ying-jeou tends to use cross-strait policy as an election tool and a political tool, too, and my position is that we don't use that as a political tool because that is an issue that is critical and essential to the interests of the Taiwanese people.
I find often people wait to order until I order. And then I love upsetting them. Sometimes I'll order a cheeseburger and macaroni and cheese.
The biggest thing about 'Lady Macbeth' is the fact that people are so surprised that this woman is so amazing, and really, it shouldn't be so amazing that this incredible character is on our screens.
I'm sure that people must say about me, on the screen, 'Good gracious, is Jeanette MacDonald going to take off her clothes - again?
If Sir John A. MacDonald or any other leader of that day were here now, he would have a different program from that of sixty years ago. He sought to give his people policies suited to the time in which he lived.
Machiavelli had some cold tricks for people who wanted to be demagogues and wanted to take over the world.
No matter how many people you kill, using a machine gun in battle is not a war crime because it does not cause unnecessary suffering; it simply performs its job horrifyingly well.
What I'd really like to control is not machines, but people.
My central strength as an actor is the fact that I'm 6 foot 3. A certain power emanates from my size, juxtaposed with the fact that I try to find an element of sensitivity in every character I play. People enjoy seeing that because it goes against what we're led to expect as far as the way men are supposed to be - macho and all that.
It wasn't until the Apple Macintosh that people understood what true hardware-software integration was about. It took one company to line it up: low-cost hardware, cool graphics, third-party products built on top of it, in an all-in-one attractive package that was accessible to consumer marketing.
The Apollo seats 3,600 people: I could hear them making a huge noise for Milton Jones and Lee Mack. If the audience doesn't make the same amount of noise for you, you feel like you've failed.
A lot of people have a sense-of-entitlement mentality that somebody else ought to do these things for them. People are mad at the government for not getting jobs for them. I don't understand why it's the government's responsibility.
In 'Mad Men,' we watch a group of people who live in a prosperous society that offers happiness and order like never before in history and yet are full of anxiety and unease. They feel there is something more, something beyond. And they feel stuck.
I think people sometimes have a hard time placing me because I don't fit into a box. When they ask what I do at a cocktail party, I either say I'm a Renaissance woman or I'm a high-level madam. Lately I've been more comfortable saying I'm an artist, because that can cover a lot of different things.