My mother's family was among the 120,000 people of Japanese descent on the West Coast who were dispatched to internment camps during World War II.
When I was trying to figure out how the government might go about creating the camps in 'The Darkest Minds,' I researched the Japanese internment camps here in the United States, specifically propaganda the government used, and how they capitalized on people's fears.
Growing up, I didn't know about the Japanese internment camps until I saw a movie of the week as an adult. I remember going, 'How come that wasn't covered in history class?' Moving to California, you run into people whose grandparents lost everything and their businesses and were put in these internment camps.
Our country undergoes periodic episodes of extreme intolerance and fear of foreigners, refugees in particular. Not only were people of Japanese descent placed in internment camps during World War II, but so were some Italians and Germans.
Following the attack on Pearl Harbor, the United States uprooted more than 100,000 people of Japanese descent, most of them American citizens, and confined them in internment camps. The Solicitor General was largely responsible for the defense of those policies.
People often think of America as a classless society, but, of course, that isn't true. Within immigrant communities, there's an enormous distinction of class, depending on who your parents are, and that kind of thing comes out really quick in things like marriage and interpersonal relationships.
Certainly, people can get along without siblings. Single children do, and there are people who have irreparably estranged relationships with their siblings who live full and satisfying lives, but to have siblings and not make the most of that resource is squandering one of the greatest interpersonal resources you'll ever have.
Through our evolution, we're so specialized for social interaction. So, if you can really design robots that can interact with people, in this very natural, interpersonal way, I think that would be great. You wouldn't have to have people read manuals, in order to operate them.
American culture is very good at interpersonal relationships and people skills, whereas we're incredibly adept at academics and straightforward 19th-century Victorian education.
I've come to recognize what I call my 'inside interests.' Telling stories. And helping people tell their stories is a sort of interpersonal gardening. My work at NBC News was to report the news, but in hindsight, I often tried to look for some insight to share that might spark a moment of recognition in a viewer.
Perhaps the mission of an artist is to interpret beauty to people - the beauty within themselves.
The people who are worried about privacy have a legitimate worry. But we live in a complex world where you're going to have to have a level of security greater than you did back in the olden days, if you will. And our laws and our interpretation of the Constitution, I think, have to change.
What many people, I think, don't really understand is how much their rights really turn on the interpretation of the Supreme Court.
Artists should be free to create what we want. I believe there's a special value in work that is a reflection of oneself as opposed to interpretation. When I see a film or a TV show about black people not written by someone who's black, it's an interpretation of that life.
I don't analyze what I'm doing. I've read convincing interpretations of my work, and sometimes I've noticed something that I wasn't aware of, but I think, at this point, people read into my work out of habit. Or I'm just very, very smart.
I follow my inspiration to wherever it goes. I do want the fans to feel the fun and excitement about it, and I like for people to be able to make their own interpretations about my work.
I want to show people how there are variations and different interpretations of good and evil.
I love the movies, and when I go to see a movie that's been made from one of my books, I know that it isn't going to be exactly like my novel because a lot of other people have interpreted it. But I also know it has an idea that I'll like because that idea occurred to me, and I spent a year, or a year and a half of my life working on it.
I like to play around with people who don't know me. Often I'm talking to people through my speaker phone, and after 10 minutes or so they say, 'Wait a minute, Marlee, how can you hear me?' They forget I have an interpreter there who is signing to me as they talk. So I say, 'You know what? I can hear on Wednesdays.'
I didn't think I had a voice at all, and I still think of myself as an interpreter of songs more than a singer. I thought it was too deep; people thought I was a man. I had a very strong Jamaican accent, too; the accent really messed me up for auditions.
