Because I wanted to have a place that I could create everything that I that I never had as a child. So, you see rides. You see animals. There's a movie theater.
Whether it's the experiments on 'MythBusters' or my earlier work in special effects for movies, I've regularly had to do things that were never done before, from designing complex motion-control rigs to figuring out how to animate chocolate.
When you do an animated movie - at least the ones that I've been a part of - you never see any of the other actors. It's all done separately with headphones in a voice booth.
There is something I feel when I animate something; you can never really understand the character you're animating unless you've had the opportunity to turn it around. Once you've done that, you know it is a three-dimensional object.
You know, I love stop-motion. I've done almost all the styles of animation: I was a 2D animator. I've done cutout animation. I did a CG short a few years ago, 'Moongirl,' for young kids. Stop-motion is what I keep coming back to, because it has a primal nature. It can never be perfect.
I've been told that some guy wrote something like, 'Andy Serkis does everything, animators do nothing.' Of course I never in a million years said that, wouldn't ever say that. It's not within my understanding of filmmaking to ever say anything like that.
My favorite anime of all time is 'Yu Yu Hakusho.' And this is because when I was living with my parents before I moved to Florida for NXT - which was FCW at the time - I just had a ton of anime that I was watching, and one of them was 'Yu Yu Hakusho.' So, I had seen it as a kid, but I never watched it all the way through.
I've been in and out of Wall Street since 1949, and I've never seen the type of animosity between government and Wall Street. And I'm not sure where it comes from, but I suspect it's got to do with a general schism in this society which is really becoming ever more destructive.
I've never been at odds with the world of contemporary artists. If there is any animosity, it's one-sided.
Social man regards all those by whom he is surrounded as enemies, or beings who may become such. He is ever on his guard lest his plain speaking should be willfully perverted, or should assume a meaning he never thought of, through the animosity or prejudice of the individual that hears him.
I never thought, when I was a kid, that there was a sense of competition or animosity towards poor blacks. I just thought there was a recognition that they lived differently - they primarily lived on the other side of town. And we're both poor, but that's kind of it. There wasn't much explicit statement of kinship or of the lack of kinship.
Somebody said that in passing, you know, 'I hate cats.' You know, somebody really hates cats, and I've never figured that one out. And credit to cats - the ability to generate that much animosity, you know.
Dancers, you know, they have pain everywhere: ankles in the morning, or back or neck or ribs or knees or the muscles. You are never free of pain, you know.
I do admit that I've never been one to fit in easily to any given pattern. It's not my choice. It's just the way I am. So if the characters I wind up playing are all a bit different, it must be because that's the way I like it. Anna Kendrick is different, and she's going to stay that way.
Never tell a secret to a bride or a groom; wait until they have been married longer.
Time has no divisions to mark its passage, there is never a thunder-storm or blare of trumpets to announce the beginning of a new month or year. Even when a new century begins it is only we mortals who ring bells and fire off pistols.
I never thought 'Sodapop Curtis' would announce my retirement. I always thought I would be the one to announce it. I'm a huge fan of the movie, but that caught me way off guard. I can't explain it.
The most valuable thing my dad taught me was to never care about what other people thought. When he came to my shows, and I'd announce his presence, he'd stand up with his hands clasped in victory and cheer my name.
I wanted to be Stan Laurel, then I wanted to be Fred Astaire and then Captain Kangaroo. I actually started out as a radio announcer when I was 17 and never left the business, so that's literally 70 years.
We saw very little of the real Jack Buck behind the microphone. He would touch people in ways that we will never know. Jack was much more than just an announcer.