I definitely am more observational of the people around me and how they interact and less introspective about myself.
I like to think of myself as focused in work, but it probably comes across as obsessive.
When a woman falls in love with me, I feel guilty. I am convinced that it's pure obstinacy that keeps me from reciprocating her passion. As I explain to her that I'm gay, it sounds, even to me, like a silly excuse; I scarcely believe it myself.
I regard myself as someone who is retired but who occasionally goes out to work. In fact, I'm offered so much good stuff that it's not so occasional.
I feel that's a good thing as an actor that you do not feel satisfied. Whenever I go back and watch myself on screen, I find multiple reasons to redo that scene. That's an occupational hazard that most actors face. You can never come to terms with it.
I don't think I could, with a straight face, describe myself as a completely positive person, but I'm not overly negative, either. On the whole, most writers think plots through to their consequences, and it's not always a sunny place. I have an occupational temperament for anxiety.
I said to myself, I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.
To get to know someone so different from myself as an octopus, and to know that the individual recognised me and even enjoyed my company, was an enormous privilege. The octopuses I came to know were strong but gentle, and the suction of their suckers tasting my skin pulled me like an alien's kiss.
When my kids were in the school play for the first time, I decided I had to make the costumes from scratch and bought material, wadding, dyed T-shirts, and purple tights so I could say I made the octopus costume myself.
I started out mopping floors, waiting tables, and tending bar at my dad's tavern. I put myself through school working odd jobs and night shifts. I poured my heart and soul into a small business. And when I saw how out-of-touch Washington had become with the core values of this great nation, I put my name forward and ran for office.
I was bullied and regarded as little bit of an oddball myself.
My favorite thing about horror is that it attracts this great group of nuts, of which I include myself in. I was always kind of an oddball. I collected my fingernails, for instance.
Everybody struggles with being an oddball. It's tough trying to fit in when you're a kid; then you become an adult and you think, 'I'm just going to be myself and either they accept it or they don't.' But you know what? I like me, and that's the most important thing.
In order to make a name for myself I took notice of the craziest wildest son-of-a-guns out there, and how they would receive a lot of the attention from the local wrestling periodicals. I decided that I would become an oddity, and that's how I have existed ever since.
You don't have to do offbeat films to prove that you can act. I have done it but only to prove myself that I can fit convincingly into every kind of films. I want to do the 100 crore film where the hero does all the work, and I get to relax.
I don't think of myself as offbeat and weird. As a kid, I saw myself as the type of guy who would run into a burning building to save the baby.
Be it commercial or offbeat, I want to establish myself as an actress.
I like to think of myself as an equal opportunity offender.
One of the things that comedy has given me over the years is a really good ability to laugh at myself and to not take things that don't matter too much too seriously. I feel that very little offends me anymore and I'm really grateful for that because I think I was a pretty uptight little kid.
Every time I write something, I think, this is the most offensive thing I will ever write. But no. I always surprise myself.
