I was part of the first generation of girls and women to be educated and go to grammar school even if we didn't have much money. Then that generation went, 'OK, great', and went into medicine or the police, and hit this wall of discrimination from older men who hadn't caught up.
My generation will actually be the first generation that is tamer than the one that came before it, and it will probably be poorer; less fun and less money.
First grade is very cheap. It's the later grades where you have to spend a lot of money if you don't do it right.
I didn't grow up with a lot of money, so my mom didn't have random money to buy me a car, and I didn't have money to have a car unless I worked, so I didn't get a car until I got my first job at 18.
One of the first things I bought when I made 'Roseanne Show' money was a farm in Iowa.
Pesticides came about after the first world war. Some brainy petrochemical money maker said, 'Hey, that mustard gas worked great on people, maybe we could dilute it down and spray it on our crops to deal with pests.'
The young generation is willing to experiment more. Firstly, they are less motivated by money and compensation, unlike the previous two generations. Secondly, integrity and governance are very important issues for them.
Stemming the tide of special interest campaign cash - and restoring fiscal responsibility in Congress - is no easy task. But there is one place where concerned citizens in both parties can begin: Changing the source of money that funds all campaigns.
I moved to L.A. at 17, and for the fist time, I had to realize that if I run out of money, I'm moving back to Ohio - and I didn't want to do that at all.
The first house I bought was a little Spanish bungalow on Clinton Street in West Hollywood, right behind the Improv. I was renting it, and I asked the owners if I could buy it, and they were really nice and let me work out a deal. And I fixed it up and later sold it. That was when I realized that if you make some improvements, you can make money.
I'm a hard worker, and everything with me is, if I work hard, I should get paid for it. Everything with me, I try to symbolize something flashy like jewelry or a car. The rubbing hands is a symbol of hustling, so it goes back to the money.
I've lived in small rooms, flats, growing plants in pots on window sills. I'd have liked to have had a full-fledged garden with all kinds of flowers and plants. I've never had enough money to buy a big enough garden space.
I think I'm probably a very sad man wrapped in a very joyful package, and I think I'm very resilient, and I think I'm quite generous, sometimes to a fault. And I'm very bad with money, but I don't see that too much of a flaw.
My other family is Fleetwood Mac. I don't need the money, but there's an emotional need for me to go on the road again. There's a love there; we're a band of brothers.
I think you have to be more flexible to be a pro coach because once you pay the guy the money, whether he can backpedal the way you want him to or whatever, his style of play may not suit you, but you still are going to play him, and he is going to be a part of your team.
If a character dies, you get to do a big, juicy death scene. But the flip side is you're out of the sequel, which is where the real money is.
I want to save up money. This is probably long-term, but I for sure want to get into real estate and flip houses and start doing stuff like that. So I'm saving money. And, you know, being a kid at the same time. I want people to know I'm literally just a 16-year-old punk who's trying to hang out with some homies on the weekends.
I generally don't select my chicken or my hamburgers based on the personal ideology of the person who is either flipping the hamburgers or making the money back at corporate headquarters. But if people want to do that, they're free to do it.
I like buying people little things, not flooding them with money, trying to win them.
When my film flops, I believe it is my mistake. There have been times when I didn't come out of my house because my films didn't do well. I lock myself in for months. I don't talk to people. I feel bad for producer, director, for those who lost money. It's never about myself or my career alone.
