I'd like to be a superhero or a supervillain in a huge action movie. I want to play, like, the Joker or something like that.
Disney was, like, such an amazing experience always for me, such a huge part of my life.
Reverse-engineer Hollywood is how I think of it. All the social-media stars are going in the back door, and everyone's trying to get in the front - there's a line outside. And then everyone's trying to sneak around back, but then there's security, you know? That's an analogy, I guess.
Like, yes, we had a furniture fire get out of control in our backyard one time. But that didn't harm a single person.
I love Bane. I love the Joker. I love Batman.
I'm gonna forget all the negative press and focus on being the best version of myself.
My personal goal is to be a billionaire.
Every day, I'm trying to push the boundaries creatively, and sometimes it does push the boundary too far, and that's what I had to learn.
A lot of the celebrities' kids are Jake Paulers, and so they'll run up and say, 'My dad is this person,' 'My dad is that person.' I'm, like, 'Yo, what's up bro? How are you?'
'It's Everyday Bro' started with me talking about the things I do on a day-to-day basis. From there, the creativity was unleashed, and the song was the result.
My goal there on the business side of things is to become the Dr. Dre of social media. He was mentoring younger artists and helping them launch their careers, like Eminem.
I've seen so many people on Instagram lose all of their followers because they were doing constant collaborations. They were only getting paid $100 dollars per post. That doesn't make any sense.
I think a lot of social media creators have always been, like, content and haven't pushed the limits because no one else had pushed the limits before. I say to myself, 'How can I create my own TV show online every day and actually make it a real production and put effort into it?'
I know it's a cliche. But, like, literally, I want to create an empire of dozens of talent under me to take my power and multiply it so that I become bigger than myself.
I studied everyone in the business of entertainment: Dr. Dre, Diddy, everyone. Rob Dyrdek was big for me. He would get 2 million views a week on 'Rob and Big,' and from that sprung everything: DC shoes, Monster Energy, 'Fantasy Factory,' everything.
Nobody's life is perfect, and each individual will have their own struggles and stipulations.
Moving forward, the most successful people in the entertainment industry will be 50 percent social and 50 percent traditional, so working with Disney and being super traditional, it brought a whole different audience to me.
I moved to L.A. at 17, and for the fist time, I had to realize that if I run out of money, I'm moving back to Ohio - and I didn't want to do that at all.
My dad gave my brother and I a camera to film our football games when we were 10 years old so we could see how we could get better. Then one day, we decided to pick up the camera and film whatever we were doing.
The way I saw it was, if I had the built-in following and the audience, but I also had the skill set of acting, that would shoot me to the top. Because there's so many good actors. There's so many good-looking people. But the X factor now is social media.
