Because I'm a dramatist, I'm allowed to take liberties, but I want my films to be based in truth, and it's very important to me that the community we're focusing on is happy with the film. From an ethical point of view, that's everything.
No one ever taught me, and I never had formal classes in pattern making, so I was like, Okay, I'll just drape, and I'll sew as I pin it.
To be very honest, I cannot drape a saree myself. I have never draped one on my own, ever. But it has been done on me so many times, that now I have memorised all the steps, and if someone challenges me, I will surely be able to do it.
When I was a child, I was always nicking my mum's jewellery to wear, and I loved to drape a massive Chinese shawl around me from our fancy-dress box. I was obsessed with a feather and rabbit-fur collar from the age of three and attempted to make one with my friend, whose father was a gamekeeper.
I drape a lot. I cut. I have to touch. For me, it's almost impossible to start without that.
I really got struck by lightning when it came to my decision to leave WWE. If I literally think about that day and who I was then, it's drastic. It almost happened overnight for me.
I was in the gym five days a week, two hours a day. At one point, I was going seven days straight. I had put on a lot of weight, and then I started losing it drastically, so I was worried. It turned out I was overworking myself. My trainer told me that I couldn't break a sweat, because I was burning more calories than I was putting on.
Becoming a vampire is forever. You don't get to change your mind about it later. For me, I think that's one of the big drawbacks with anything that's permanent. How do you know how you're going to feel in five years or 10 years? Even with a tattoo.
I saw the drawbacks of fame as a kid. It wasn't for me.
My kitchen is limited at best. I have one drawer. But I make do with what I have; it's taught me to be super efficient in terms of how I clean and how I put things away.
Maybe someday there will be a song I write that I never let see the light of day because I don't want it to be uncontainable and have to play it again. And I have written songs like that that are just for me. It's like writing a letter to someone you're angry at but never sending it and just putting it in a drawer.
A screenwriter heard me read from my novel 'The Wishbones' when it was still in progress and mentioned me to some producers in Hollywood. They called, and I told them I had a novel in my drawer about a high school election that goes haywire. They asked to take a look, and my life changed pretty dramatically as a result.
By an irony of fate, my first employment was as a draughtsman. I hated drawing; it was for me the very worst of annoyances. Fortunately, it was not long before I secured the position I sought, that of chief electrician to the telephone company.
I've had fans do some pretty awesome things... I once had a fan do a mock proposal for me in Mumbai, inside a McDonalds... and I've had fans give me some precious things. I had one fan give me her mother's ring; I've gotten some pretty intense stuff. And I always get drawings and scrapbooks from fans, which is also pretty cool.
My website's kind of fun for me. I get to do drawings on that. It's kind of fun.
The thing that makes me happiest about Simpsons Illustrated are all the drawings that we get from readers. I wish we could print them all. They're really imaginative. They show a lot of hard work.
Living animals are too eccentric in their movements, and the law of gravitation usually draws me from my seat upon them to a lower level; therefore, I am not an inveterate lover of horseback.
I've got an extra-specific story about Dr. Dre. I saw him when I was 9 years old in Compton - him and Tupac. They were shooting the second 'California Love' video. My pops had seen him and ran back to the house and got me, put me on his neck, and we stood there watching Dre and Pac in a Bentley.
When I went back to my old high school, all these kids looking at me like I'm the real big homie, the same way I look at Jay Z, Nas, or Dr. Dre. You would've thought Michael Jackson walked through that joint off the excitement that they had.
I studied everyone in the business of entertainment: Dr. Dre, Diddy, everyone. Rob Dyrdek was big for me. He would get 2 million views a week on 'Rob and Big,' and from that sprung everything: DC shoes, Monster Energy, 'Fantasy Factory,' everything.
