I always knew that I wanted to be an actor. I made my debut on stage when I was 12, and I was sure that this is what made me happy. However, nobody takes a 12-year-old's career choice seriously. Everybody laughed it off. I also ran away from it, but acting eventually found me.
Much before I entered films, my dad walked into my room and saw me busy drawing something at 3 A.M. He stood there for some time and said, 'Whatever career choice you make, you are going to be successful.' I'll never forget those words. It gave me the confidence to be who I am today.
When you have a relationship with music, and it's that deeply a part of your life, it's so much more than a career choice for me. It's an extension of who I am.
It's almost an impossible task to sum up all the things my parents have taught me over the years. Whether it was how to tie my shoelaces or encouragement in whatever career choice I wanted to pursue, they have both always been there to support me.
I've taken a few public hits in my career, and I never hid the pain of it from my children. Nor did I hide the regrouping and rethinking that occurred after each one. After all, that process allowed me to re-emerge and go on to build a more impactful - and more engaging - career path than the one I had been knocked off of.
No matter how different a career path we choose from our parents, people will always say we wouldn't have gotten there if it hadn't been for our name. And in the end, there's no way to tell if that's true or not. Maybe it's not the worst thing for people not to see you coming. If people want to underestimate me, I'm fine with that.
I'm trying my best with what I want to do, which is modelling. I think I'm on my own career path, and I don't really care what other people have to say about me being in the spotlight of my sisters. I'm just doing my own thing.
I've never cared for the idea of a career path, or where a film might 'take me.' My love is for acting not money, so I only take on roles that I find challenging, in stories I find interesting.
The women that inspire me are the ones who have careers and children; why would I want to limit myself? I've always wanted to have children, and I would never give up that experience for a career. I want to have it all.
I grew up as this very carefree, happy kid then things turned darker for me. Maybe it was because I saw that the world wasn't as happy a place as I had hoped it would be for me.
L.A. interests me, the whole band scene and relaxed carefree feel, but it does not mean you have to dress like a hippy.
If we'd had another carefree 70's, I'd have been dead. It was a little too carefree, you know? I don't know how carefree they were for me, I think I was worried then, I can't remember what about.
It's funny that I got to do 'On the Road' because the thing that had the biggest impact on me growing up was reading books. I was very inspired by the book and this spirit of Dean Moriarty and how envious we all are of somebody who can be that carefree.
I listened very, very carefully to the world around me to pick up the signals of when trouble was coming. Not that I could stop it. But it made me observant. That was helpful when I became a lawyer, because I knew how to read people's signals.
I want my careless song to strike no minor key; no fiend to stand between my body's Southern song - the fusion of the South, my body's song and me.
If you expect me to buy something where all I can sense is carelessness, actually I think that is personally offensive.
Carelessness makes me cross. And unkindness.
If I make a fool of myself, who cares? I'm not frightened by anyone's perception of me.
I believe marriage is between a man and a woman. I am not in favor of gay marriage. But when you start playing around with constitutions, just to prohibit somebody who cares about another person, it just seems to me that's not what America's about. Usually, our constitutions expand liberties, they don't contract them.
Everybody who cares about me wants me to do therapy, but I just can't do therapy.
