My candor has gotten me in a lot of trouble over the years!
Believe me, you don't want to be at a company where there is more candor in the hallways than in the rooms where fundamental ideas or policy are being hashed out.
A lot of people like lollipops. I don't like lollipops. To me, a lollipop is hard candy plus garbage. I don't need a handle. Just give me the candy.
I'm happy about working; I'm happy about gracing the stage and coming out and making people laugh. I never treat it like a job or feel that way. It's the best thing ever to me, and I feel like a kid in a candy store.
I take a lot of pride in the work I do, because people pay to see me. They've got to get babysitters, park their car, get popcorn and candy. I've got to be conscious of that.
The worst thing about Halloween is, of course, candy corn. It's unbelievable to me. Candy corn is the only candy in the history of America that's never been advertised. And there's a reason. All of the candy corn that was ever made was made in 1911. And so, since nobody eats that stuff, every year there's a ton of it left over.
A little dark chocolate in small amounts often helps lift me out of those blue moments. When I walk into my favorite store on Union Street in San Francisco that sells high-quality chocolates from around the world, I feel like, well, a kid in a candy store.
I was pretty nervous when I met Robert DeNiro. I kind of felt like a kid in a candy store for the first time. I couldn't wipe the grin off of my face. But Bobby DeNiro was really, really sweet and made me feel very comfortable. He's very low-key and just a superstar professional, and totally someone to be admired.
I was doing 'Twin Peaks,' and Columbia called and said they wanted me to do 'Gladiator.' I thought it had the potential to be a real commercial film, so I was like a kid in a candy store.
I was about six years old when I did 'Orchids and Ermine.' They dressed me in a suit, put a mustache under my nose, a cigar in my mouth, a cane in my hand, and a hat on my head.
Well, I'm using a cane, so what? So what if they shot me sitting in a wheelchair? That's life!
What actually happened with 'Miracle' was that someone saw me in 'Jurassic Park' and said, 'We want someone with a white beard - how about him?' I've got a round face, white hair, a white beard. I can wear half-moon glasses and waddle a little, cope with a cane, raise my hat.
My grandmother, Amalia Pia Emilia Vignola, whom I called Nonna, brought out the fairy tale in everything. She used to tuck me into bed so vigorously that I never felt anything less than comforted, and then afterwards, she would sit on a cane basket box next to my bed and read Hans Christian Andersen to me.
Francois Truffaut was my godfather on 'Sugar Cane Alley.' He believed in me and in that story, and told everyone that it should be made.
I really hate sitcoms on television with canned laughter and stuff. What really makes me laugh is the real-life stuff. I've got a dry sense of humor.
I know people that could serve me canned tuna and saltine crackers and have me feel more at home at their table than some people who can cook circles around me. The more you try to impress people, generally the less you do.
I remember as a kid, my mom had to trade canned food to buy my brother and me chocolate because we were living in Serbia at the time, and there were sanctions. If I catch myself complaining about going to a red carpet event, I say, 'Shut up.'
It's freeing to be able to consistently make creative decisions and ask creative questions of the team without feeling like, 'Does this make me vulnerable to getting canned?' That's a big part of being in a studio - they can always fire you.
Instead of the wacky morning show that sounds canned, my team is sitting over there, waiting for me to say something or ask something. And sometimes the reaction is awesome, and sometimes it's terrible. But they're reacting as humans instead of as DJs.
When I have to go to Cannes, that is boring to me.