Give up pride for good during the holidays. This is where I've been especially stubborn. As I walk more and more in this path of Christianity, I see that letting my guard down and admitting that I don't want to be alone is far better than dealing with me, myself and I, who always seem to want to keep up appearances.
I suppose that there might have been leading men who were put off from casting me as the ingenue because I was taller than they were, but I've no idea that this ever happened. When I did 'Much Ado About Nothing' opposite Mark Rylance in the West End, we used the difference in our heights as part of their relationship.
I had the classic 40 meltdown. I did. It's embarrassing. It was pretty funny. But then I recovered. To me, it was like a second adolescence. Hormonally, my body was changing, my mind was changing, and so my relationship to myself and the world around me came to this assault of finiteness.
'Great Expectations' was an important novel in my adolescence. It was very much one of those emblematic novels that made me wish I could write like that. It helped that my models as a writer were dead over a hundred years before I began to write.
My childhood, adolescence and high school days are unusually important. If there has ever been a time that I developed a uniqueness and sense of humor and the ability to organize, it was then. In those early days, I developed the skills that gave me a certain degree of success in American politics.
Having a mind that is open to everything and attached to nothing seems to me to be one of the most basic principles that you can adopt to contribute to individual and world peace.
I get letters from little girls begging me to adopt them.
An important priority for me is a business must get their own house in order. Be or become an agent of positive change in your own enterprise and adopt responsible practices to eliminate the risks that often lie at the root of inequality and poverty.
When I got into the film business, my aim was to adopt a positive persona, of a guy who fights against injustice. And it saved me, because my acting was atrocious to say the least!
I'm an orphan. But the public has adopted me, and that has been my only family. The biggest family in the world is my fans.
As you know, I'm an immigrant. I came over here as an immigrant, and what gave me the opportunities, what made me to be here today, is the open arms of Americans. I have been received. I have been adopted by America.
When I was little, I knew that I was not adopted, but I actually imagined and hoped that I was - and that my real parents were going to come get me.
I tried to make up for being 5 ft. 3 in. by affecting a strut and adopting the voice of a much bigger man... dating tall, beautiful women... But nothing I could do, after Ava had left me, would add a single inch to my height.
With all the chaos, pain and suffering in the world, the fact that my adoption of a child from who was living in an orphanage, you know, was the number one story for a week in the world. To me, that says more about our inability to focus on the real problems.
I think my mom threatened to put me up for adoption a few times.
I'm healthy, have a loving and adorable family, great hunting dogs, a gravity defying musical career and most importantly, fuzzy-headed idiots hate me.
The laughs mean more to me than the adoration. If two girls walk up to me and one says 'you're cute', I'll say thank you, but I appreciate it much more when the other one says 'you make me laugh so much'.
I should have conceived the idea for 'The Mighty Walzer' earlier. A boy who dreamed of winning fame, fortune, and the adoration of beautiful women as a table-tennis player - shame on me for taking so long to see the mock-heroic possibilities in that.
Americans adore me and will go on adoring me until I say something nice about them.
People wouldn't know this about me, but I adore ball gowns. I love their cut, their architecture and the thought of the hands of so many seamstresses working on them.
