My grandmother Dora taught me how to cook. She's from a small town in West Virginia called Milton. I would pull a stool up to her kitchen counter after school. My love of food started there.
There's just no stopping me. I went through life big-bang-banda-boom-bada-boom.
I played rugby for years, and I had a rugby jacket that I lost when I was 14. Somehow, my brother found it in storage 15 years later, and he gave it back to me for my 30th birthday. That was amazing and probably one of the best gifts I've ever received.
One girl used to call me Brownie and tell me to go back to my own country. At lunch, I'd get a bag of chips from the vending machine and eat it in the storage room so I wouldn't have to see her.
Foreigners like me have no privacy rights whatsoever. Yet we keep using U.S.-based services all the time, making us a legal target for gathering and storing our private information. Other countries do surveillance as well. But nobody has the global visibility that United States does.
Look for me in the whirlwind or the storm.
The man I love may decide tomorrow that he loves me no more - but if my heart remains open, I will endure the storm.
My trust in God flows out of the experience of his loving me, day in and day out, whether the day is stormy or fair, whether I'm sick or in good health, whether I'm in a state of grace or disgrace. He comes to me where I live and loves me as I am.
Stormy in love, stormy in interviews, breakfast in bed - that's me, love.
It had never occurred to me to write a historical novel, but then I found Hadley in the pages of Hemingway's 'A Moveable Feast' and wanted to know more about her - who she was, how she and Ernest met and fell in love, what it was like for her to be married to such a demanding and stormy force of nature.
If you've heard this story before, don't stop me, because I'd like to hear it again.
I love writing picture books and story books because of the exciting, visual life that artists and illustrators give to them. And most of all, I love writing novels because of the inner, emotional journeys that they take me on. Hopefully, the reader comes with me!
'Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
I certainly grew up seeing more movies and television than I read books, but when it came time to do the thing itself you don't have to hire a lot of people to sit down and write a book, so that was the story-telling medium that was available to me.
I was hugely formed by stories I was told as a child whether that was in a book, the cinema, theatre or television and probably television more than any medium is what influenced me as a child and formed my response to literature, story-telling and, therefore, the world around me.
I put the storyboard down and came back to it like two weeks later and saw that I had written 'Butt-Head' next to the picture, and it kind of made me laugh and I thought, Well, might as well go for every laugh you can get.
The idea of having different characters is really just to get the storyline across, you know? Coming from one particular character makes, to me, the story boring. I get that mainly from novels and that style of writing or movies where there's multiple characters who carry the storyline.
To this day, if you gave me $1,000, I really can't stand up - You can tell a joke. You're a good storyteller and a good joke teller.
For me, my brand is good storytelling.
Let me tell you a story about when I was growing up in Spain. Many Sundays, we would invite 30, 40, 50 people to the countryside, and my father would make a big paella. He put me in charge of the fire and the 'stove' - the rocks that hold the pan. But he wouldn't let me cook. I got so unbelievably upset.
