Sunday is like this entertainment scrum for me, because I've only got a day, one day of fun. So I want to have brunch, and I want to see a movie, and I want to watch 'Game of Thrones,' and I'm trying to watch 'The Sopranos' from the beginning, and I want to play four hours of video games. So, it's, like, as regimented as my work life.
Twain's 'A Connecticut Yankee in King Arthur's Court' made me long to wake in an era when my Casio wristwatch would strike folks as sorcery, and Martin Amis's 'Time's Arrow' wrecked my assumption that all narratives had to proceed from Then to More-Recently-Than-Then.
I had a friend where it turned out that she hated my guts, all through our friendship. I thought she was my best friend, and then, in high school, she turned on me and had sordid affairs with all of the people that I'd dated. It was less hurtful because I was in high school, so it was more like, 'What's wrong with you? Gross!'
Not a day goes by where someone doesn't write me asking me for more 'Sordid Lives.'
Don't feel sorry for me.
Do not feel sorry for me if I am gone.
I visualise what I want through meditation. The process of meditating is a great way of making sure I have my priorities sorted. It's not about money - I focus on my career and the kind of film projects I want to do. Film-making is a passion for me, and my mantra is that you should do what you love, and the money will follow.
I want to be compensated. If I'm working at the post office, and I'm sorting the same mail as the person to the right, and they're making $25 an hour and I'm making $21, I need to know what is this person doing so much better that he's getting $4 more than me. That's just knowing the market and being a smart businessman.
I know that Julia has been given to me for my spiritual growth, and this moment is perfect for us both. I know that I love her, and I know she's my soul mate.
Music is a part of someone's soul. Music is a feeling for me. And if that soul is evil, then I don't want anything to do with it.
I think with me and the type of music that I'm trying to make, it's always going be soulful because I grew up listening to different types and variations of soulful melodies and jazz, but experimenting with different types of stylistic souls.
'Tangerine' taught me that if you win an audience over with comedy, then hopefully have a soulful message at the same time.
Im a soulless lawyer. Give me any opinion and I can argue it.
I'm not sure that finding a husband at university made me any less of a feminist or an academic. I still soaked up Susan Faludi; I still read Doris Lessing. But I did it at the same time I met someone who I felt was my soulmate.
I didn't respond to people thrusting microphones at me and asking me questions that were unanswerable in a sound bite.
Something that I've struggled with for awhile is looking at our country voting on sound bites, and to me, character is really important.
I do not knock 'Poppins' or 'The Sound of Music.' They gave me pleasure, and I know they've given a lot of people enormous pleasure.
I started acting in second grade - my first role was in the Thanksgiving play. I was the Indian chasing the turkey. All the other mom's encouraged my mom to get me into acting after that. Also, when I saw 'The Sound of Music' at Music Circus, I knew I wanted to act.
It looked like 'The Sound of Music' would even surpass 'Ben Hur,' and I thought it would be unfair for me to have done both. I thought I'd leave something for somebody else. That's a quip.
When 'The Sound of Music' aired live on NBC, 18 million people were talking about theater the next day. That's incredible. 'Grease' felt like a chance for me to participate in that landscape.
