We should be very concerned: if identity theft is so simple to do, what's to stop me from entering this country and assuming the identity of someone else for the sole purpose of living here illegally for terrorist reasons? That alone would be a concern.
I have made the mistaken assumption - and I will attempt to be better at this - of thinking that because somebody is on Twitter and is attacking me that it is open season. And that is my mistake.
When you write something you know, you're making a story that will work, whether or not there's bits taken. It's always funny to me when people say, 'Well, it's clearly autobiographical,' and I say, 'Well, how do you know my autobiography?' Certainly, there are things that are connected, but I just think it's a very interesting assumption.
In the middle of the night, when you're ambiguously ethnic, like me, when you're brown, beige, mauve, siena, one of those lighter browns in the Crayola box. You have to be careful of the cops and robbers, because nobody's quite sure what you are, but everybody has assumptions.
My way of thinking as I approach any human being on this planet is, 'What are you doing now?' That's what interests me. I don't come at anybody with a whole bunch of assumptions.
Certain though I am - and ever more certain - that I must press on in life as though Christ awaited me at the term of the universe, at the same time I feel no special assurance of the existence of Christ. Believing is not seeing. As much as anyone, I imagine, I walk in the shadows of faith.
I felt I did trust in Christ, Christ alone for salvation, and an assurance was given me that he had taken away my sins, even mine, and saved me from the law of sin and death.
Now, let me be clear. The path I lay out is not one paved with ever increasing government checks and cradle to grave assurance that government will always be the solution. If this election is a bidding war for who can promise the most goodies and the most benefits, I'm not your president. You have that president today.
I sit on a man's back, choking him and making him carry me, and yet assure myself and others that I am very sorry for him and wish to ease his lot by all possible means - except by getting off his back.
So many have come to me that I might serve them, leaving me no time to think of myself. However, I assure you that I do feel deep down within me, God be praised.
Feminism has never been sexy, but let me assure you that it never stopped me from flirting, and I have seldom suffered from lack of men.
I still derive immense pleasure from remembering how many hod-carrying brickies were encouraged to put on lurex tights and mince up and down the high street, having been assured by know-it-alls like me that a smidgen of blusher really attracted the birds.
When I first started talking about running for office, a lot of people said to me, 'Don't let the consultants change you,' and I'd always assured them that I wouldn't allow it to happen. But like it or not, I had to change. Not because of a consultant, but because I started to understand the cost of a stupid mistake.
'Brown Girl Dreaming' was a book I had a lot of doubts about - mainly, would this story be meaningful to anyone besides me? My editor, Nancy Paulsen, kept assuring me, but there were moments when I was in a really sad place with the story for so many reasons. It wasn't an easy book to write - emotionally, physically, or creatively.
For me, novel-writing, by its nature, contains months of feeling lost, gloomy, fatally misguided. The challenge has always been in assuring myself that by setting one foot in front of the other, I will eventually make my way out of the desert.
I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.
I remember vividly seeing 'Tarzan' and Fred Astaire, the Chaplin films, Fred Astaire musicals, MGM, because of my mother. She was just interested in everything and she took me to opera and ballet, and then ballet got me hooked.
While I was making my solo films, RKO was busily trying to get me and Fred Astaire back together. The studio wanted to capitalize on the success of 'Flying Down to Rio' and realized that the pairing of Rogers and Astaire had moneymaking potential.
My mom always had me and my brother watching old Fred Astaire movies.
My denial and irresponsible attitude about asthma put me at great risk and caused me so much needless suffering. My hope is that the kids I talk to learn to open up about their asthma, become educated about their condition, and seek help.
