I'm not somebody who gets teared up or anything, but I still look up at the stars, and it gives me hope, and it gives me energy. I think one of the things that we have to think about it is, we are all a part of this universe.
And when I was saying I want to become number one of the world and I was 7, 8 years old, most of the people were laughing to me. Because you know, it seemed like I have one percent chances to do that. And I've done it.
My life has changed. I'm not walking around any more wishing I wasn't me, which was the case at one time.
The sexiest thing that a woman can do, wear, and say all fall under one word to me: subtlety. To be subtle in the things that she does and the things she says and the things she wears - I appreciate the details.
I may make you angry or make you feel sorry for me, but in the end, you appreciate my show because it's not one-dimensional.
Up until the time I was cast in 'Star Trek,' the roles were pretty shallow - thin, stereotyped, one-dimensional roles. I knew this character was a breakthrough role, certainly for me as an individual actor but also for the image of an Asian character: no accent, a member of the elite leadership team.
I don't like the idea of playing a one-dimensional character who is just fearless, strong, and killer and has instincts and just thrives in dangerous circumstances - that's really boring to me, and I don't think it represents what most women feel inside.
There's always been a lot of pressure and tension on the line. If 'Pi' didn't work out, I have no idea what my career would be. I don't think I would have gotten another shot at it. If 'Requiem for a Dream' didn't work out, they would have called me a 'one-hit wonder with a sophomore slump'.
It never felt real to me. I never felt I had complete ownership over Bond. Because you'd have these stupid one-liners - which I loathed - and I always felt phony doing them.
I was trying to do one-liners and it took me years to realise I just had to be myself. My fear was if I was myself and no one found it funny, I'd have nowhere left to go.
Unapologetically, absent me, there is no Deadpool. Period. I am the name, the costume, the look, the origin, and the attitude. Great one-liners are the result of other writers. But there's no Deadpool at all in existence without me.
One thing about being a stand-up is it's a one-man show. You gotta do everything. You're the producer, writer, director, and the actor. You just gotta be out there and perform and give your all. It's such an honest form of art that it just taught me so much, and it kind of prepared me for manhood at an early age.
I'm not the type of guy who enjoys one-night stands. It leaves me feeling very empty and cynical. It's not even fun sexually. I need to feel something for the woman and entertain the vain hope that it may lead to a relationship.
Hearing a whole entire room sing back to me, 'I guess it's true I'm not good at a one-night stand,' you know, I just can't explain the feeling. It's unreal. You feel like you've just read your diary to thousands of people and they've gone, 'It's okay. We still love you.'
'Stay With Me,' for me, is my own personal anthem to the 'walk of shame...' that we've all gone through. It's the feeling after a one-night stand of not wanting that person to leave, even if you don't love them and don't even like them. It's about having that body next to you.
I was going to be a doctor, but I think my music allowed me to help more people than I could have done one-on-one as a psychologist. Just like other people's music really helped me.
It's a privilege to be in this position, to have people want to talk to me, to have people want to hear my story and hear what's going on, because it can easily be on the flip side, and no one wants to talk to me, no one respects me one-on-one, no one in the stands wearing my jersey. It's a blessing.
Don't spend more than you take in. Control your debt. Empower the private sector. We have 50 states out there that are laboratories of democracy. Why are we not empowering the states to find solutions to our problems, particularly health care, as opposed to looking to a one-size-fits-all solution from Washington, D.C.? That puzzles even me.
Anna Deavere Smith's new one-woman show bills itself as being about health care, but the truth is that 'Let Me Down Easy' is mostly about the grimmer subject of death and dying.
I did my one-woman show in order to show people what to do with me.
