I want to thank the NBA and U.S.A. Basketball. Words can't describe my feeling. I was a small town kid from Hamburg, Arkansas, and you provided me a platform to live out my passion, the game of basketball, on the world's grandest stage.
For me, getting your number retired is the greatest accomplishment. There is no accolade with more significance that you can receive from an organization or school. Whether it was my four years at Central Arkansas or all my seasons with the Bulls in Chicago, it's a sign of respect for what I have done.
There are a lot of people from my Central Arkansas days that I owe a lot of thanks to for how they helped me over the years.
The odds were against me when I arrived at Central Arkansas. I was barely 6-foot-2 and didn't have a scholarship. But I always felt I could make it to the NBA; it was as if I had foreseen my future, and I knew I would make it.
If, if a white man puts his arm around me voluntarily, that's brotherhood. But if you - if you hold a gun on him and make him embrace me and pretend to be friendly or brotherly toward me, then that's not brotherhood, that's hypocrisy.
When people talk about me, they talk about just the arm and that I have a big arm. I want to be able to change that mindset to, 'He's a great quarterback who just happens to have a great arm.'
It's interesting - in 'Fail Safe,' as well, they didn't back off. We were raised with kind of this spectrum of that Armageddon and lived under it, so those were probably the films. 'Fail Safe' sort of haunted me.
Maybe it's my Catholic upbringing - I grew up thinking that Armageddon was just around the corner - now I know it is, with global warming and all. I can keep it at bay by doing the work. It's a sort of reverse sympathetic magic. I'm always doing it so it doesn't happen to me.
If I go and buy a coffee, and somebody asks me what I do, I'll say, 'I find asteroids.' And the first thing they always do is make a Bruce Willis joke, or they are going to bring up Armageddon.
I remember the first time Bill Fichtner and I had a scene together. I've seen him in a few movies, from 'Armageddon' to 'The Perfect Storm' and 'Contact,' and suddenly he's on a bunk bed and I'm on a bunk bed and we're doing this scene together. That was a real 'pinch me' moment.
I feel great that I've been given a chance in the golden years of my life. To me, it's the last battle, and I've been given a chance to get stuck in some good armament, some good power, and there's a chance that now I can finish off my working years with my head held high.
I get really frustrated when people say that a collection is not very 'Armani.' Iconic status can be like a pair of handcuffs, especially if, like me, you wish to continually stretch yourself creatively, as Warhol did.
So Colleen Atwood introduced me to Armani for the fabric and the dyes - what made Armani, Armani, beyond his motion-picture credentials. It was Cerruti after that. And then Zegna.
Before, being a model, it was just a job, and I was making fun of it. But today, I take my career more seriously. The fact that a reader may buy an Armani item because she'd seen it on me in a magazine is very important to me. So much so that I intend to launch my own label.
For an everyday look, I use Chanel Soleil Tan de Chanel as blush, or the Summer 2013 Bronzing Palette that a makeup artist from Armani gave to me - I love Armani makeup.
My style really comes down to me trying to be efficient by wearing what's going to get me the most out of the world. Whether that means wearing an Armani suit or an H&M dress, that's what I'm going to wear.
I didn't read a book until I was 31 years old when I was diagnosed with dyslexia. Books terrified me. They made me nervous. Now I know you can travel to the bottom of the ocean or to outer space or anywhere in between without leaving your armchair, and I'm so, so sorry I couldn't read when I was younger.
When I go to do a show, it's my time; it's all about me. You've come to see me. You haven't come to see me if you're in an armchair watching a video. It's very distracting.
I used to be a writer with superstitions worthy of a professional baseball player: I needed a certain desk chair and a certain armchair and a certain desk arrangement, and I could only get really useful work done between 8 P.M. and 3 A.M. Then I started to move, and I couldn't bring my chairs with me.
Grown-up parties are so dull they make me want to throw a tantrum and hurl red wine on the nearest cream-damask armchair.
