I try to keep each different book different from the last. So 'Sag Harbor' is very different from 'Apex Hides the Hurt;' 'The Intuitionist,' which is kind of a detective novel, is very different from 'John Henry Days.' I'm just trying to keep things rich for me creatively and for the readers who follow me.
I remember back in Detroit, I used to go to the Apex Bar every night after I got off work. The bartender there used to call me Boom Boom. I don't know why, but he did.
To be at the apex of the executive branch and understand that there are lot of moving pieces and the importance of working with Congress to get things done - I think that gave me a unique perspective as a young person.
There was a time when I thought dudes had friendship all figured out. The focus on eating things in front of giant screens, pretending to punch one another, competing over who can utter the grossest and most profane personal insults imaginable - this struck me as the very apex of human social exchange.
I got a note from my father, who said that Success is wonderful, if you don't inhale. That was his own aphorism, and I think it's the very best thing he could have said to me or anyone else on the subject.
Violence was almost an aphrodisiac for me.
A relationship book I once read told women to use the word 'fun' whenever possible. The author claimed it had a subliminal aphrodisiac effect on men, who want a relaxed girl attached only to good times - the human equivalent of Diet Coke. This is not me.
One thing that did get me into a lot of different types of music was when I was very young, the local record store went out of business and they were selling off all the vinyl. I remember going in - I was probably 16 or 17 and I'd just gotten a record player as a present. It was like hitting the jackpot: all these records for $3 apiece.
With me and Bill... I think we started out with $15 apiece and split the other $20 between the band.
People ask me about 'The Hurt Locker' a lot, and it's an incredible piece of filmmaking - as are 'Band of Brothers' and 'Platoon' and 'Full Metal Jacket' and 'Apocalypse Now.' But they're not necessarily true to war in a literal sense. What they are, really, are brilliant movies about Hollywood's idea of war.
'A Talk to Teachers' showed me that a teacher's work should reject the false pretense of being apolitical and, instead, confront the problems that shape our students' lives.
I think there is a debate in the arts about, you know, whether we must strive for art for art's sake, and you know, kind of try to keep political debate out of our work. And to that I say, I'd like you to show me an example of, you know, this so-called apolitical art. I don't think there's any such thing.
It's not that I'm apolitical... In my youth, I was a freelance political speechwriter, which taught me a lot about writing fiction, I must add.
I never felt I had anything to hide. I never felt being gay was anything to be ashamed of, so I never felt apologetic. I didn't have issues with it, didn't grow up with any religion, so I didn't have any religious, you know, issues to deal with as far as homosexuality is concerned. So, I accepted it very easily. For me, it wasn't that big a deal.
For the most part, it was never assumed that I was gay, and I've had people be sort of surprised that I was gay or act apologetic like they didn't know, which would just make me really uncomfortable. And I never had shame for it, but I never felt like introducing myself as, 'I'm Antoni. I'm gay. How are you?'
The 'serial kisser' tag that has been thrust on to me is a lame stereotype. It irritates me. Yes, there is sexual content in my movies, and I have never been apologetic about doing bold scenes. But it's not fair to tag me this way because that can be very stifling.
It occurred to me that cats were being held back a little bit. I thought, 'I'll give the cat human thoughts and feelings but not be apologetic for it. That would be very catlike.'
The Almeida's artistic director, Rupert Goold, brought me Mike Bartlett's 'King Charles III' with the slightly apologetic warning that it was in blank verse, but, of course, that appealed to me.
When you've been brought up in variety, I think timing is always important in your life. If I'm ever late for anything, whether it's personal or business, I always apologise. 'I'm sorry I'm late,' and all that. And if somebody is late meeting me, I expect them to say 'I'm sorry I'm late.' It's just, shall we say, showbiz etiquette of my day.
If you even dream of beating me you'd better wake up and apologize.
