I'm not fighting to be treated like a dude. I don't want to be treated like a man. I want to be treated as a talented stunt-person, or I want to be treated as an intelligent person.
I find the selectivity of erotic love - the choice of this man or this woman - much more intelligible if liking the person is the origin of sexual interest, rather than the other way.
Get action. Seize the moment. Man was never intended to become an oyster.
You hear stories of intense actors who can't shed their character and who don't know who they are for a week or two after. I'm not that guy, man.
A man, to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and of many others; the pains and pleasures of his species must become his own.
It's always great to engage with people. You never know who you can make an effect on. And I love interacting with the fans, hearing what they have to say and joking around with them. Anytime I can reach out online and give encouragement, motivate people, be a better citizen, that's what it's all about, man.
A lot of these American actors have this - in my view - misplaced view that they have to look like Action Man. The trouble is, they all run the risk of being interchangeable.
Playing Mark Antony in 'Rome' will always be a favourite of mine because he was such an outrageously big and interesting character to play. Also, the fact that we were able, with that character, to find out and present the public with a biography of that man that had not been really seen before.
Being a sex symbol had its advantages. You got to meet a lot of interesting people, and men especially. It was a man's world in those days, and I had a lot of luck with men.
For my part, I do not feel that the scheme of future happiness, which ought by rights to be in preparation for me, will be at all interfered with by my not meeting again the man I have in my. mind.
Ross Hunter was my assistant on Take Me to Town, He was a young man, an actor before that, and learned a lot on the picture. During shooting, Goldstein left, and Ross was most pleasant. He never interfered.
The worlds in which man is evolving as he treads the circle of births and deaths are three: the physical world, the astral or intermediate world, the mental or heavenly world.
I didn't think I had a voice at all, and I still think of myself as an interpreter of songs more than a singer. I thought it was too deep; people thought I was a man. I had a very strong Jamaican accent, too; the accent really messed me up for auditions.
Rather than being an interpreter, the scientist who embraces a new paradigm is like the man wearing inverting lenses.
Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes it mind you, he takes the words as he finds them lying interrelated about him.
Every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way, and never again.
The only thing I have never known is true intimacy with a man. I absolutely wanted to discover that before dying.
A man who cannot be enticed by money or intimidated by the threat of jail or death has two of the strongest weapons that anyone has to offer.
Definitely I love women, I love being around women, I find them incredible and intoxicating, and I've never had that feeling I get with women with a man.
The Discovery was the most intricate, complex machine man has ever built. It's a testament to our time.
