It is certain, indeed, that the sacred writers were apt to make great allowances for people with empty stomachs, and though I am well aware that the present profane ones think this very reprehensible, I venture to agree with the sacred writers.
It is better, however, for his own reputation that the story-teller should risk a few actions for libel on account of these unfortunate coincidences than that he should adopt the melancholy device of using blanks or asterisks.
The idea of bringing young people up to Literature is doubtless calculated to raise the eyebrows almost as much as the suggestion of bringing them up to the Stage.
But, on the other hand, the occasional and precarious dripping of coppers has by no means a genial effect.
One forgives the critic - perhaps - but never the good-natured friend.
Some Critics on the Hearth are not only good-natured, but have rather too high, or, if that is impossible, let us say too pronounced, an opinion of the abilities of their literary friends.
For my part, I do not feel that the scheme of future happiness, which ought by rights to be in preparation for me, will be at all interfered with by my not meeting again the man I have in my. mind.
One would think that in writing about literary men and matters there would be no difficulty in finding a title for one's essay, or that any embarrassment which might arise would be from excess of material. I find this, however, far from being the case.
To the truly benevolent mind, indeed, nothing is more satisfactory than to hear of a miser denying himself the necessaries of life a little too far and ridding us of his presence altogether.
A man with an invention on which he has spent his life, but has no means to get it developed for the good of humanity - or even patented for himself - must feel the pinch of poverty very acutely.
In England, literary pretence is more universal than elsewhere from our method of education.
In all highly civilised communities Pretence is prominent, and sooner or later invades the regions of Literature.
As a rule, anyone who can tell a good story can write one, so there really need be no mistake about his qualification; such a man will be careful not to be wearisome, and to keep his point, or his catastrophe, well in hand.