'Slow Heat in Heaven' was my 'breakout' or 'crossover' book, and I loved the freedom I felt writing it.
When trouble breaks out, our men and women in uniform, they don't just sit around thinking about it or talking about it - they act. They put on that uniform. They leave their loved ones behind. They go out there. They give orders. They follow orders. They do whatever it takes to keep our country safe.
I think there's always some good reason to try and modernize most period things, because at the end of the day, they may have, I suppose, used a different language or a different etiquette, but ultimately, these are still people that loved and breathed and lived and ate and weed and pooed just like we do now.
Until I feared I would lose it, I never loved to read. One does not love breathing.
I recently read a collection of stories called 'Boondock Kollage,' by Regina Bradley. The stories follow multiple characters through the South, through the past and present. I loved reading that book: the first time I read the opening story, I was breathless and incoherent.
Sir Kenneth MacMillan's version of 'Romeo and Juliet' is my favorite full-length ballet, Sergei Prokofiev's breathtaking score a favorite composition of music. As a student of martial arts, I loved drawing my sword in defense of my Capulet kin.
Balzac loved courtesans. They were independent women, and in the 19th century, that was a breed that was just evolving.
I thought they loved me, and they would scarcely have known it if I had died. All through our troubles, I was comforted with the thought that the brethren in Maulmain and America were praying for us, and they have never once thought of us.
My father made bridal dresses, which he sold wholesale, and always wanted me to join him. He looked upon what I did as precarious and frivolous - except that he loved it when my name was in the papers.
I loved those movies from the eighties, movies like 'Working Girl,' 'Nine to Five,' 'Outrageous Fortune,' 'The Heat,' 'Bridesmaids,' 'Pitch Perfect,' and others.
For the first actual comedy-comedy I did, I took a comedy class in New York, which was full of slightly unhinged people. It was a pretty depressing crowd, very angry and strange people. But then I took a class at the Upright Citizens Brigade, and I loved those people.
We must vote for hope, vote for life, vote for a brighter future for all of our loved ones.
I've learned that I can still be loved if I perform well, and I learned that from the broken brilliance of Matt Hardy.
But, I've always loved John Mayer and I think T-Pain is brilliant.
I just felt that I might to go to university and get some real life. It wasn't stimulating in the same way. I loved being at Bristol, but I missed the thrill of being on set.
Romania, which had the worst dictator in Eastern Europe, Ceausescu, he was a darling of the West. The United States and Britain loved him. He was supported until the last minute.
Modeling was a way of financing my fighting. My fighter friends definitely made fun of me: 'I've seen you in your underwear, bro!' But once they realized the girls loved it, they asked, 'How do I get into it?'
I had a couple of chances to go inside the broadcast booth when I was out of the car in 2016 and loved it a lot.
I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.
I have loved 'Les Miz' for so long. It was the first Broadway show I'd ever done.
