I'd love to work with the Coen brothers. And Steven Spielberg. 'E.T.' was big for me.
I'm crazy about the Coen brothers, I'm crazy about Sean Penn. I love the usual suspects like Susan Sarandon, Meryl Streep and people like that.
I love the Coen brothers. They're so brilliant, and they always surprise you in one way or another. 'A Serious Man' was awesome. I like stuff like that, that kind of throws you for a loop. It takes you on a journey that is unexpected.
It's so odd because I don't even know if I'm cut out for it, but being a movie star guy, I sort of end up gravitating toward the Coen brothers. That's one of the reasons my wife and I moved to L.A.: that however much of a pipe dream that would be, I moved to L.A. because I'd love to work with the Coen brothers.
Because politics rests on an irreducible measure of coercion, it can never become a perfect realm of perfect love and justice.
My team and I have reunited two elements that coexist with difficulty: respect and affection, because when they love you they don't respect you and when they respect you they don't love you.
Chicago is constantly auditioning for the world, determined that one day, on the streets of Barcelona, in Berlin's cabarets, in the coffee shops of Istanbul, people will know and love us in our multidimensional glory, dream of us the way they dream of San Francisco and New York.
I don't size up their grades or their board scores. Because in America today, that's just an advantage certain people have. I size up the give and take, the speed of thinking, what I perceive as ambition. I say, 'Tell me about your high school jobs.' And I love people who worked in coffee shops who were waiters and waitresses.
One day I'd love to release a coffee table book of all the crazy notes I got from Disney Channel's S&P and legal department.
I love detail, like drawing what's on top of someone's coffee table. Maybe there's a little bowl of butterscotch candies on it, next to the four TV remotes.
I love the tour bunks. I can sleep like a baby in those bunks. It really doesn't bother me at all. A lot of people have a difficult time - they're like, 'It's like a coffin.' I get in there and I just pass out. You can't even wake me up.
Falling in love is the best way to kill your heart because then it's not yours anymore. It's laid in a coffin, waiting to be cremated.
I would love to give you a more in-depth coherent explanation of my view of the soul, and if I had one I would. The soul and my concept of it are as ephemeral as anybody's, and possibly more so.
Christmas can have a real melancholy aspect, 'cause it packages itself as this idea of perfect family cohesion and love, and you're always going to come up short when you measure your personal life against the idealized personal lives that are constantly thrust in our faces, primarily by TV commercials.
Life has always taken place in a tumult without apparent cohesion, but it only finds its grandeur and its reality in ecstasy and in ecstatic love.
It's sort of good to see your vocation as a daily task and have fairly modest expectations for financial or reward in other coin - glory, love, whatever.
I love England. It's no coincidence it's the first place I moved to for a more cosmopolitan life, which is the only thing Iceland lacks.
I love my own coincidences and love to hear other peoples' stories.
I love cold weather.
I think the whole world is dying to hear someone say, 'I love you.' I think that if I can leave the legacy of love and passion in the world, then I think I've done my job in a world that's getting colder and colder by the day.
