Recording a scene with paint rather than film sinks you more deeply into your surroundings. You have to look a little harder and a little longer. And you end up with a memento.
It took me a long time to blossom. Everyone else understood how to socialize and how to look. I didn't get the memo.
I don't collect any memorabilia. I wish I'd have kept everything I had. But who knew you had to keep it. Just gave it away. And we lost so much and we didn't look after a lot of it.
I don't want any memorials or a grave which my children would have to look after or feel guilty about. I don't want to leave any trace except for the work I have done.
I know people who prepare their roles in such a way that they technically look ahead and memorize their gestures, and then they stick to it. Those that are technically proficient enough can make it seem natural, but they do that and don't really take in what other people are doing.
There are lots of women I look up to, but mentors are someone you talk to and not just admire. A lot of my friends that I trust are my mentors.
If you look at Disney's slate compared to the other Hollywood studios, it stands out because of big titles and strong franchise films which also extend beyond cinemas, to merchandising or theme parks given the legacy of the four brands - Disney, Pixar, Marvel and now Lucasfilm.
I think a lot of times when people talk about merchants, it's almost a nostalgic look back at the time where the world moved at a very different pace, and information was very different.
Pour not on the comforts you want, but upon the mercies you have. Look rather at God's ending in afflicting, than to the measure and degree of your affliction.
Beauty is merciless. You do not look at it, it looks at you and does not forgive.
Hindsight can be merciless. People of any given era often look back in time and wonder how their predecessors could have been so dimwitted.
If you look closely enough, amid the merciless and the bitter, there is always the chance that you may find comfort and the promise of something good.
I have a very strong tool in competitional enforcement: To do merger control, to look into cartels, misuse of dominant position - when member states hand out favors, for instance, in terms of tax breaks. But even though that's a strong tool, it cannot solve everything.
I think the thing that strikes you when you come back to 'The Little Mermaid' after all of these years is the simplicity and innocence. That's in the look of it, and that's in the sound of it.
You're supposed to look a certain way when you're a celebrity, but I want to take care of my baby, and those two things don't mesh very well.
I just look around and say, I'm a mess. I don't know why I do things.
One of the places the full stop is really being revised in a really fundamental way is on the Internet. You look at the Internet or any instant messaging exchange - anything that is a fast dialogue taking place. People simply do not put full stops in unless they want to make a point.
I just like, when you look at people who have long careers in film, they're able to make films that are far away from themselves, because they're metaphorical. It creates more opportunities, I think.
Look at almost any passage, and you'll find that a paragraph has five or six metaphors in it. It's not that the speaker is trying to be poetic, it's just that that's the way language works.
The first method for estimating the intelligence of a ruler is to look at the men he has around him.
