The reasons why images are so primal and people immediately relate to it is that we are exquisitely engineered to interpret information that is arrayed in two dimensions. That's our eyesight. That's how our eye-brain system works. So it immediately feels to us when we look at an image like we have extended our senses.
I look up to Martha Stewart, and I love that she has product lines that are true extensions of her brand.
No one finds it interesting to look at the person who is perfect all the time. They have no flaws. Flaws are what open us up to another person to show that we are not having a veneer, a fake sort of exterior.
My father is Jewish, and I look exactly like him... My mother is British, but she's of French extraction.
I'm trying to buy a house and set some sense of roots because otherwise you're constantly chasing one job after another, and you look back and you've had all these very extraordinary experiences with extraordinary people, but there's not a line of continuity to it.
In a movie, it's often important to have aliens whose gestures and facial expressions can be 'read' by humans. And in the days before sophisticated computer animation, most extraterrestrial bit players were guys in rubber suits. Such practical considerations forced Hollywood's hand when it came to aliens - they look like us for good reasons.
My extravagance is my garden - it's the first thing I look at every morning when I wake up. It gives me so much pleasure.
A physician is not angry at the intemperance of a mad patient, nor does he take it ill to be railed at by a man in fever. Just so should a wise man treat all mankind, as a physician does his patient, and look upon them only as sick and extravagant.
Strapping Young Lad is a vehicle for me to be wild and extroverted and ridiculous. It gives me the chance to say, 'Look at me. I'm a heavy metal guy. I'm Rob Halford or Bruce Dickinson or whoever.'
There is a saying, 'Eyes are the windows to the soul.' It means, mostly, people can see through someone else by eye contact in seven seconds. I have a habit that if I meet someone I don't know, I'd like to look at her or his eyes on purpose. When my eyes lay on them, I can immediately see their true color.
In my writing class, we never, ever talk about the writing - ever. We never address a story that's been read. I also won't let anyone look at the person who's reading. No eye contact; everybody has to draw a spiral. And I would like to do a drawing class where we could talk about anything except for the drawing. No one could even mention it.
The raising of an eyebrow, how you do it; when you look, how you look. All those little things are physical.
I can do a lot in 30 seconds. With Tattoo Liner I can do eyeliner, eyebrow, and, if I want to get creative, a lip look, too.
The human eye uses the eyebrow as an anchor point for the rest of the face. This is why a woman can look truly stunning without any makeup but perfectly shaped, full eyebrows.
I don't think thin brows will make a comeback; women have finally seen how much more beautiful their look can be with a properly shaped eyebrow.
I went through an obsession with eyebrows. I used to paint my eyebrows really, really strong. I look back now, and some were a little bit strong.
My everyday look is casual, and I try not to wear makeup if I don't have to. I'll cover a zit with a little concealer, but I don't wear foundation on a daily basis. I maybe fill in my eyebrows.
Fake eyelashes are a great way to step up your look to the next level.
I think we kind of changed how people did humans in CG animation after. If you look at films before 'Incredibles,' they tended to be photorealistic in a clunky and ugly way, with pores in their skin and too many eyelashes. It's kind of disturbing. And since, the designs have gotten a lot more playful in a lot of people's films, not just ours.
I once made the mistake of going for a whole row of false eyelashes, which was just wrong as it gave me a sad, puppy-eyed look.
