You know what, I'd done an interview show when I was like 16 or 17. One of my first jobs. I did interviews for this television show in Toronto.
If I ever interview somebody, I make sure I listen to them. As a comedian, I've gone on so many shows, I've wanted to take things to a crazy place. Sometimes the hosts don't like that.
I might like somebody, and have to go interview somebody that hates them, but I still have to be fair.
If I could have anybody I haven't had, I'd want to interview somebody like Jay-Z or Puff Daddy, pick their minds a little bit.
I'm not a go-in-for-the-kill kind of interviewer. It's a great thing to me, that kind of interviewer, but I'm not it. It doesn't play to my strengths at all. I like to interview people who are interested in telling their story and tell it as truthfully as they can.
We would very much like to see Iran take a position as a responsible leader that doesn't intimidate or threaten or scare its neighbors and others. But the choice is really up to Iran and we're going to keep working to try to come out with the right decision.
The youthful vibe Nashville exudes is intoxicating and contagious, especially amongst the culinary scene, which lures so many great young chefs to places like City House and Rolf and Daughters.
I like solving problems that seem intractable. That's how I thrive.
People respond to something which intrigues them instead of something that gives them all the information - particularly in pop, which is, like, the genre for knowing way too much about everyone and everything.
The semiology and phenomenology of hashtaggery intrigues me. From what I understand, it all began very simply: on Twitter, hashtags - those little checkerboard marks that look like this # - were used to mark phrases or names, in order to make it easier to search for them among the zillions and zillions of tweets.
I tend to like to read history - recent history, because I find that much more intriguing than just a writer's imagination.
It's intriguing to me, when I see a horror script, or something like that, that's actually original. I think that's why I love 'Stranger Things,' because it's not just horror, it's everything, and when they use horror it's right.
I like Meek Mill a lot. I listen to 'Dreams & Nightmares' introduction a lot. I always act crazy when the beat drops.
Considering retirement is like skirting with the reality of what's to come, and I think that's why so many athletes decide to do more introspection at that point.
I have a feeling of reverence about my father being in his 80s - a feeling that I want to whisper, take soft steps, not intrude too much. He's like a stately old cathedral to me now.
Anonymity would be a fantastic umbrella. I don't like intrusion.
What we are seeing now is customers shifting their attention from security products like firewalls and intrusion sensors, to the policies that need to be in place, and the technologies that help them enforce policy compliance.
Monetizing by creating more value for a Venmo user makes a ton of sense to me. But other forms of monetization that are more intrusive, like in advertising or something like that, the jury is really still out for me.
It is not my job to compare my movies. I don't like to compare my films with other movies because I don't really have that perspective. It is an intellectual exercise, but it doesn't intuitively come to me.
I decide intuitively what I want to do. When directors like Imtiaz Ali, Ayan Mukerji, Anurag Basu and Anurag Kashyap, who have stories to tell, come to me, why would I not be a part of it?
