What makes you a Christian is whether or not you really are in accord with biblical theology and whether you know Jesus Christ as your Saviour.
Will Arnett is one of the funniest guys I know. He has seen it all and done it all and come out the other end pretty savvy and pretty strong.
As a horn player, the greatest compliment one can get is when a person comes to you and says, 'I heard this saxophone on the radio the other day and I knew it was you. I don't know the song, but I know it was you on sax.'
I don't trust most journalists who belong to Anglo Saxon stock because we know what your inclinations are.
I always feel more comfortable in chaotic surroundings. I don't know why that is. I think order is dull. There is something about this kind of desire for order, particularly in Anglo Saxon cultures, that drive out this ability for the streets to become a really exotic, amorphous, chaotic, organic place where ideas can, basically, develop.
I don't know why, but I like the saxophone.
The marooned friend is one of the best-known scams, principally because it's the one that dodges the spam filter most often. It comes from someone you know but often only tangentially. It's since become - hands down - one of my favourite scams.
People go hard with the scams. Make sure you know who you're working with and what the contract says.
When you're asked to have a CT scan or a nuclear scan, do you know how much radiation that involves? How many of those sorts of scans have you already had? Is it necessary? Is there an alternative? I don't think many people know about that.
The line between failure and success is so fine that we scarcely know when we pass it: so fine that we are often on the line and do not know it.
We can scarcely hate anyone that we know.
I have people who say, 'You should dress up like this, or you should dress more modest; you should cover up more.' And then, at the other end of the spectrum, you have, like, 'Why are you still wearing your scarf? You're in America, you know.'
I think we all get into situations where we don't know how to proceed, and those are really the scariest moments that we have, but that's also what makes us 'grow up' and learn a lot about each other.
I don't know how to produce work if it's not something that's deeply scaring me or troubling me.
I know I am right for Scarlett. I can convince Mr. Selznick.
Girls grow up scarred by caution and enter adulthood eager to shake free of their parents' worst nightmares. They still know to be wary of strangers. What they don't know is whether they have more to fear from their friends.
You know you're living with the habit of zest if you purposefully choose the scenic route to wherever you are going. Or you choose clothing because you love the texture of the fabric. Or you pick a shampoo or cleaning product because you love the smell - smell being just as important to you as how the product works.
When a business group tells us there is nothing wrong with the environment, naturally they may have good arguments, but we are also sceptical, because we know that they have an interest in these things.
The music, for me, doesn't come on a schedule. I don't know when it's going to come, and when it does, I want it out.
In a film there a lot of people scheduling, you know.
