And that's how I start myself. I usually go back a couple of pages, maybe to the beginning of the chapter, and I start reading. And as I'm reading, I'm tweaking - putting in a different word, changing the syntax, putting that clause over there, you know that sort of thing.
Adding comedy into what I do is just my natural approach. It's how I approach anything that I find tricky or daunting, because it's like putting syrup in your medicine, and it just makes it easier to go down.
I was raised in a really terrific, close family, and I've never needed to escape anything or to really let myself go by dancing on tables.
I will go to a nice restaurant in Miami, and no one sitting at the tables will notice me or even know who I am. Then everyone in the kitchen comes out and wants to take a picture.
We have this sort of tacit censorship, which is the ratings system, and it's directly tied to box office, so it is censorship. Like, if you make an R-rated movie, you know that only a certain amount of people are going to go see it under any circumstance.
You don't need to go to church to be a Christian. If you go to Taco Bell, that doesn't make you a taco.
It's - I can't imagine a world - the idea that every day Sarah Huckabee Sanders briefs, Donald Trump stops what he's doing and turns on the TV and watches it while eating a Taco Bell or whatever he eats. And then she has to go into his office afterwards and get critiqued on it.
I don't deliberately go into comedy or go into indies, but I do deliberately try to keep changing tact, because I think that is the key to longevity in a career.
In tactics and training, we do more with Conte. We work a lot of tactical positions, and we know exactly what we have to do on the pitch, where I have to go, and where the defenders have to go. We know exactly what to do.
This object that we hold in our hands, a book... that tactile pleasure, it's just not going to go away.
I love being able to go to a store, let's say... a store like Topshop or Zara or maybe even Macy's, depends on what department, and not have to look at the price tag.
The frustrating part of being tagged 'controversial' is people go looking for trouble where there isn't any to look for.
I have this game with my friends: When we go out, if 'Treat yo' self' is tagged within the last six minutes on Twitter, they buy lunch. If not, I buy. They always buy.
It seems like if you are not painted up special way or have some tailor made outfit to put on to go out on stage... I don't know... there's too much of it out there.
I think it is a huge honor to get to go play for the troops who have been working their tails off for several years, some with several tours under their belt.
There's no such thing as a good time. I started an apparel-manufacturing business in the tech-boom years. I mean, come on. Get out of your garage and go take a chance and start your business.
I didn't feel that I was ready to leave NXT. When I was called up to SmackDown, I was very nervous. I hadn't done many of the things at NXT that I thought I was supposed to. I didn't have a TakeOver match. I never held the title. I only had a few matches on NXT TV and to be called up and told, 'Well, here you go!'
The one we keep pitching and there are no takers is The Fabulous Baker Boys Go To Hawaii. There don't seem to be any takers on that one!
Talented people have a responsibility to get the training they need to be successful risk takers and go out there to take risks. What I see is surplus of talented people and a shortage of people willing to take the risks.
Part of what horror is, is taking risks and going somewhere that people think you're not supposed to be able to go, in the name of expressing real-life fears.
