You can't go wrong mixing classic graphics in black and white. It's very Parisienne.
The spoken word was the first technology by which man was able to let go of his environment in order to grasp it in a new way.
I liked back in the sixties where you'd turn on the radio and go 'Oh that's Hendrix, that's Creedence Clearwater, that's The Doors, there's The Grass Roots, The Monkees, there's Big Brother.' You could just instantly hear it and tell. But in the eighties and nineties there's no way you could do that.
There were many times during our career when he could've quit and done something else. But he knew that his power was with the Grateful Dead. He didn't want to go solo. Jerry was a groupist. He loved to group.
If you're trying to be a successful writer, and you go into a second-hand bookshop, it's the graveyard of people whose books haven't been wanted.
I wasn't a kid who wanted to be a writer. I wanted to be a doctor. I was kind of morbid. I was really into the body and how it could go wrong. I wanted to dig up bodies from the graveyard.
I unloaded planes for UPS in Louisville, Kentucky. It only was bad because it was called 'Earn to Learn,' where you pay for your tuition for college, but you have to work graveyard shift - midnight to eight A.M. - and then go to school at nine or 10 A.M. I was a zombie after two semesters.
I'm drawn to the classic antihero, the guy who's probably made a bunch of mistakes and really has the capacity to go either way. That's the most interesting type of character for me to watch, to see what decisions they'll make. There's a lot of gray area there for a writer to explore.
You can never go more than three or four hours without having something to nibble on or eat - you have to graze all day long.
I can rock out anything. I mean, I can rock out a little 'Time After Time'. I can do a little 'Grease Lightning'. It depends on the mood, but we do go karaoke, my friends and I in Los Angeles, and it's a lot of fun.
A really great actor, in a lucky performance, can transform himself or herself. I've seen actors do that. But often it's a mechanical transformation, which isn't as interesting, and you've got to be careful how you go about something like that, I think.
Iwan Rheon is a great actor, and he's going to go on to a long brilliant career. And most of the characters he'll play will not be evil. He's not one of those who can only play a bad guy.
It's a great advantage to be able to play people off against each other, isn't it? You go to Christie's and get a quote on something. And then you go to Phillips' and you tell them what Christie's has given you. I like auctions for artists.
When you've got a great business going, you go open another and take the risk of losing the whole thing. It's fun!
I'm not a great cook, so I'd rather go out for brunch.
Did I get to go to my friends' houses and eat junk food? Sure. And I'm a great cook. And, guess what? There's no prepared food in my house.
TV stars don't know how to dress up, and they have to hire a stylist. This is true to a great extent. That's why I go out of my way to experiment. Sometimes I hit the bullseye, sometimes I miss.
There's a lot of enthusiasm and a lot of great fans everywhere you go in college football.
Tisch has a great film program and a great acting program, but they are segregated; you don't really intertwine. My peers knew I liked acting, so they'd be like, 'Go get that guy Gubler. He'll be in your student film.' I was in the same building. I became their go-to guy. So I left NYU having been in probably one thousand short films.
If you go back, 'The Great Gatsby' would be a portrait of the rich and fortune made by business.
