I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.
Problem-solving, inventing, hacking and coding is more of an adrenaline rush of endorphins rather than a feeling.
The best compliment to a child or a friend is the feeling you give him that he has been set free to make his own inquiries, to come to conclusions that are right for him, whether or not they coincide with your own.
I like the feeling of making things. It's very very rewarding. And filmmaking is that type of experience, where you're forced to collaborate with so many people. You're involved in the beginning to end, you're involved with so many elements, and when it's done, you're like, 'I made this movie.'
What's funny is that all the artists I've collaborated with, I get this feeling that they want me to win. They're always asking my opinion, always giving me advice.
I always want to be a part of ensembles. Besides it feeling safer, I think it's a more fun environment to work in. To have a bunch of people collaborating on something, it takes the pressure off of each individual.
As a result of the World War, this old Germany collapsed. It collapsed in its constitution, in its social order, in its economic structure. Its thinking and feeling changed.
I like a man who smells good. Puts on cologne; lotions his body. It keeps me wanting. I like feeling that way.
Convinced that the attachment of colonies to the metropolis, depends infinitely more upon moral and religious feeling, than political arrangement, or even commercial advantage, I cannot but lament that more is not done to instill it into the minds of the people.
I suppose the best comedy shows do have the rock n' roll feeling - if it's a great night, and the roof is raised... yeah, it's a similar feeling, sure.
It's possible that you have been told a time or 10 that you don't appreciate how tough your elders had it. It's true that, if you had been coming of age back in, say, 1960, you would probably be feeling more restricted, if only because you were doomed to spend your days in a skirt, nylon stockings and girdle.
HERO is a combination of my personal feeling and the commercialism.
And then 'Wanderlust,' Ken Marino and David Wain wrote the funniest - they're amazing. That was one of my most favorite creative experiences; we're all up at that commune, a small group of people. Everyone was funnier than the next. It was an amazing ensemble feeling. Everyone gave and took in the best way.
I turn to books for a feeling of companionship: for somebody knowing what I have known.
I generally find that comparison is the fast track to unhappiness. No one ever compares themselves to someone else and comes out even. Nine times out of ten, we compare ourselves to people who are somehow better than us and end up feeling more inadequate.
I loved the feeling of freedom in running, the fresh air, the feeling that the only person I'm competing with is me.
I don't want to let my guard down and feel too comfortable. If you become complacent, you start feeling entitled. I'm ready to go dig ditches if I have to. Whatever I gotta do to provide for my family. Whatever I gotta do to make sure that I do the best possible job at whatever wonderful opportunities I've been handed.
I don't like feeling like it's not up to me when I'm working and when I'm not. Not feeling complete freedom... that's frustrating.
When I was a teenager, I remember the extraordinary feeling of accomplishment for completing 'Vanity Fair.' I don't think it was even for school.
The true feeling of sex is that of a deep intimacy, but above all of a deep complicity.
