I do try to keep my show very improvisational. I don't work off a set list; I like to keep it more in the moment. I like to have information about where I'm going, what might be happening in that particular region as well. I like for people to feel like the show is for them.
I'm used to doing independent film where the style is a lot more casual. With improvising, you obviously find so much out on the day - and in a way, I feel more comfortable doing that.
I'm very unpredictable. Very, very impulsive. Extremely. Absolutely! Sometimes I don't know what I want to do from one day to the next. I can't enjoy anything premeditated; I just do it as I feel it. But whatever I do is motivated by honesty.
I feel like no one starts entertainment with an impure intention, but somewhere along the way, lines become blurred and you're no longer sure which way is up and which way is down.
In the case of 'Zero Dark Thirty,' about the hunt for Osama bin Laden, an issue that is central to the film - torture - is so important that I feel I must say something. Mark Boal and Kathryn Bigelow have been irresponsible and inaccurate in the way they have treated this issue in their film.
None of our bars smell like a bar at all - that's our number one rule - and we use certain scented candles and certain types of incense in order to give our bars a specific feel and ambiance.
I bring incense, essential oils, and candles to make my hotel room feel more like home.
When I get off the plane in England I always feel about two inches shorter.
I feel like there is just as much violent programming in other countries and there is not the same incidence of factors. I think there are other factors contributing to violence in this country and not the media.
I actually do bits of my writing in sort of incidental spaces - when I'm traveling on the Tube or on a bus. More often than not, it's a reaction to how you feel about something, and if you're sitting down and concentrating on, 'I must write something,' then you can't have a truthful reaction.
The beautiful thing about 'Drag Race' is it's the most inclusive television show, probably on the planet. It's the place where kids go because they feel like they don't fit in anywhere else. It's the place they go to feel safe.
You basically have a group of four spies who are chosen for a mission they feel for the fact of how competent they are and how their expertise and they're the right one for the job. But ultimately they find out they've been actually chosen for their incompetence.
I feel incompetent to perform duties... which have been so unexpectedly thrown upon me.
If four or five days go by, and I haven't written anything, I feel incomplete.
It is inconceivable to me that a million or three million or half a million human beings will think and feel precisely the same way on any single subject.
Incongruity, they say, is one of the main ingredients of humor. Maybe it's because everybody can feel superior to me. I honestly don't know.
It's a part of my lifestyle to be healthy and eat healthy. I don't feel like I need to be like, 'You can't have this. You can't have that. You have to have this. You have to have that,' because then I feel like I will get inconsistent. I indulge when I want to, but try to be healthy every single day, too.
Physicians need to be good technicians and know how to prescribe, but for healing to occur they also need to incorporate philosophy and spirituality into their treatment. We need to feel as well as think.
Sometimes, I feel the reason I have become a star beyond my films is that I am politically incorrect.
The four principal oral instructors to whom I feel my mind indebted for improvement were Joseph Fawcet, Thomas Holcroft, George Dyson, and Samuel Taylor Coleridge.
