As far as match-ups are concerned, I feel pretty good about matching up with anybody. I'm sort of a hybrid wrestler. I'm extremely explosive; I'm a good athlete. I can move around.
We feel we're the only British group worth exporting since the Sex Pistols, definitely.
I just feel like every kid is growing up too fast and they're seeing too much. Everything is about sex, and that's fine for me. I'm not saying I don't like it. But I don't think it should be everywhere, where kids are exposed to everything sexual. Because they have to have some innocence; there's just no innocence left.
I'm an enemy of exposition. I feel there's no need to overstate.
I don't feel that I'm particularly political. I'm interested in politics; I'll express my view if I feel strongly about something, but humanitarian issues, I think, are slightly different.
The expressive body is not literal; it's very primal, and that's what I feel when I make the best of my work. It's coming from a primal place rather than an intellectual place.
Sometimes I know the meaning of a word but am tired of it and feel the need for an unfamiliar, especially precise or poetic term, perhaps one with a nuance that flatters my readership's exquisite sensitivity.
When you grow up in an extended family, or in a stable neighborhood with two or three generations of families who live there, you feel seen. Not just the good things you've done, the stuff you put on your resume. You know they've seen you in your dark times, when you've messed up - but they're still there.
What we feel and think and are is to a great extent determined by the state of our ductless glands and viscera.
I don't follow any of what the pop world is doing. Sometimes I feel like that's a weakness, actually, that I'm too in my own bubble. But I'm really just interested in the inner journey. And pop is all about the exterior world, the material.
Nations sometimes flourish by denying the crimes that brought them into being. Only when the original invasion, occupation, extermination or usurpation has been safely thrust into the political unconscious can sovereignty feel secure.
I feel beautiful without makeup on, but when I do put makeup on, it just gives me this extra pop.
Some people won't go the extra mile, and then on their birthday, when no one makes a fuss, they feel neglected and bitter.
I feel like it really marks a new era for Microsoft under Satya Nadella, Alex Kipman, Phil Spencer, and a number of other people who are really committed to the platform being a healthy ecosystem for everybody and not just an extracted business like you see on the Facebook or Google side.
I'm one of these people that likes adrenaline and new things, like extreme sports. It makes me feel alive.
Often, we feel helpless in lots of situations in our lives. The way anger gets a grip on us is it seems to be a way to extricate ourselves from helplessness.
There's a lot of storylines over the years where you feel like it's maybe meant to be more important than it ends up being, and that's because we jump ship, and you gracefully extricate yourself from that as well as you can.
These are the two sides of Steven Spielberg: the reverent grown-up who knows when to say the right thing and the exuberant kid who loves a good laugh. Both sides are sincere, and both are necessary, for Spielberg knows he can't feel good about himself unless everyone else feels the same way.
Working on 'Nightmare Before Christmas,' I had endless arguments, like the studio saying, 'You can't have a main character that's got no eyeballs!' 'How is anybody going to feel for somebody with just eyesockets?' You know? So, it's those kind of things that really wear you down.
The whole body reacts to color. If you were to walk into an all-neon-pink room, it would be difficult not to react. I think it is a unified, human thing to feel color with everything. It is like standing next to a bass speaker plugged into your eyeballs.