If you're a sponsor, and you're doing business globally, to bring your guests to South Florida is pretty nice.
I love my Nike Air Max trainers. They're big and bulky and spanking - I can't be doing with grubby trainers.
I wanted to do Dreamgirls. If they're doing a stage production of Sparkle, I think that would be hot.
I remember doing one of those computer careers tests. It told me I'd make an ideal HGV lorry driver because I've got 100 per cent spatial awareness. I'd be able to back them into tight parking spots.
Done correctly, everyone from individual speakers to large organizations can inspire citizens and customers to spread a message using their own social channels, and in so doing, inspire countless supporters to build their reputation, profits and social impact.
I never wanted to do TV. I just did what I was trained to do through the Special Forces, and I've been doing that from a very young age.
They tend to be pretty abstract ones then, like doing what will have the best consequences; obviously you wouldn't specify what consequences are best, they may be different in some circumstances, so at a lower, more specific level, you may well get differences.
My speeding offences (whether caught or not) are always in situations where the speed limit is 30, but I think it's 40. And I'm never doing 40, always a careful 37.
The easiest bit is when you're talking. It's listening that is so difficult. If you get out any Spencer Tracy film, you think, 'Wow, he's doing nothing, yet he's doing everything.'
A lot of people have been quite surprised with the stuff that I'm doing on my own, which shocks me because I've always known what I wanted to do. But people have only seen me with the Spice Girls, so I suppose it's not that surprising.
To be able to be doing voiceover, and to be able to be doing 'Spider-Man,' it doesn't get much better than that.
There's obviously a group who enjoys what Tyler Perry is putting out there. And why fault them? And there's a group that loves the things that Spike does. So they should enjoy that, too. Is it my taste? Maybe not, but I'm not going to fault anybody for doing what they're doing as long as people are showing up.
To me, what I realized when we were doing 'Spinal Tap' - and the four of us wrote that - is, really, the core of that is the relationship with the two guys who grew up together and that strain when the girlfriend comes in. If that wasn't there, it's a very different movie. Then it's just bumbling guys stumbling along.
Movies about space raise those questions of what we're doing here, and that inevitably introduces a spiritual dimension.
I was interested in psychic things and in spiritualism even as a boy. I'd started doing yoga by the early 1970s.
Everyone needs to start doing interviews over email. Whether you're a journalist or a spokesperson speaking to the media, you're better off communicating questions, statements, or inquiries via email.
I'm also doing a special for Comedy Central called Autobiography. It's going to be a spoof of Biography.
I kind of did this thing in high school, a spoof of 'Sweeney Todd' called 'Shirley Todd,' and I had a great time doing that.
In other words, musicians know that going back to the Spoonful, what we were doing was not copying.
When I was starting out, doing guest spots on TV, and even commercials, I would go in with a whole crazy wardrobe and some terrible accent. Obviously, I was doing too much. If you bring too much flavor to it, it's absurd. There's something to just being spontaneous.
