When I first came to Seoul to start model work, I felt bad asking for financial support from my parents, so I lived in the sauna for about six months.
God bless Interlibrary Loan. I pay a lot of library fines. In the case of 'A Single Shard,' I was using books that hadn't been checked out in 30 years, so I didn't feel too bad.
We should be firing bad teachers.
I've forgotten more about bad putting than all the lousy putters in the firmament combined. My mind has been twisted into an incurable, disturbing venue of bad speed and inadequate line. I just want to go out and not feel like I'm putting a Rubik's Cube with a flimsy piece of rope.
I feel bad for the kids that are in school right now and the young people all across America who don't realize that the grownups who are supposed to be running this country are the verge of leaving them as the first generation of Americans worse off than the generation before.
I had my first kiss when I was 11, but I think I've blocked it out of my mind because it was so bad. I'm not even sure it counts as a kiss.
I never liked my last name or my first name, but it's not as bad as Frigidaire, so it's fine.
Firstly, before every game, I always speak with my mum. She really encourages me a lot. Then, once I'm out on the field, I say a little prayer for my team and for everyone on the field, both sides, so that nothing bad happens, no-one gets injured.
Somebody just back of you while you are fishing is as bad as someone looking over your shoulder while you write a letter to your girl.
I'm La Flame at all times. That, at times, can be bad, at times can be good.
Hanging out with my girlfriends is my sanity saver. We go out for a bad chick flick and dinner. I suggest you break free from the guys, see a really silly, girly movie, and get a little something to eat afterwards. It feels like a treat.
Growing up, I was a Detroit Pistons fan, being from Flint. During not the Bad Boys but Chauncey Billups and Ben Wallace era, and growing up, I always wanted to be a Piston.
When anything bad happens, my insecurities come flooding out.
I don't read reviews until after I'm done with a production, but when I do finally get to them, I'm always sort of floored by what the bad ones say.
I feel bad when my film flops.
A barrel of laughs should be enough, but it's not. A good review is official and endures. A bad one is like a tub of Flora. It spreads easily and lasts for the whole festival.
Where humanity is going to find itself in, say, 20, 30, 40, or 50 years would be very difficult to predict, I think. There are moments, of course, when you think that it's going from bad to worse, but there are other moments when you think that human efforts are really flowering into something really fantastic.
A guy like Manny Pacquiao or Floyd Mayweather is used to fighting 12-rounders. Put them into the ring for three rounds against a top amateur boxer at a much faster pace, and they'll lose a fight, and how bad is that going to make them look?
Critics think we try to make bad films. They think we want to spend five months of our lives making something bad. We always go out with the best of intentions, whether it's fluffy comedy or a drama.
Just flush it if something bad happens. That's the way I was raised to play baseball.
