Until I was eighteen, I did not know that you could study fashion design or art. I really didn't know. I already had my nose in the art world; I was already looking at things, but I didn't really get it that you could study that because my school was a very different environment.
I believe in advertisement and media completely. My art and my personal life are based in it. I think that the art world would probably be a tremendous reservoir for everybody involved in advertising.
When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways.
To be honest, I think, for me, the power is always with art. The art world clearly couldn't happen without art.
The art world doesn't exist in a vacuum.
I don't know why we, in the art world, cannot unpack things and sort of make hybrid notions of a practice. We're very rigid. It's funny, though; in music, we have no problem sampling, mixing and remixing. But in the art world, why can't we take little parts of history and mix it together?
I think rap definitely has its place in the art world. I think it is an art form. But, just like any art form, you can misuse it.
The Chinese art world does not exist. In a society that restricts individual freedoms and violates human rights, anything that calls itself creative or independent is a pretence. It is impossible for a totalitarian society to create anything with passion and imagination.
I've been slagged off completely by the art world.
Facts can be turned into art if one is artful enough.
It's the word 'artful'; it's such a great word, with its dark and its light side, its art and its cunning, the craft and the crafty of it - I've been preoccupied with the word 'artful' and the twin notions of 'cornucopia' and 'pickpocket' it suggests for quite some time.
What's been lost is allowing cinema to be artful, playful, to have ambiguity, to have form, to be contemplative, to wish to be art. This slightly timeless approach to reality, like Chekhov in literature, where you look at all humanity and try to find what's transcendent.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
Good art provides people with a vocabulary about things they can't articulate.
Art lies by its own artifice.
Nothing has been left undone by the enemies of freedom. Every art and artifice, every cruelty and outrage has been practiced and perpetrated to destroy the rights of man. In this great struggle, every crime has been rewarded and every virtue has been punished.
At Roden Crater, I was interested in taking the cultural artifice of art out into the natural surround. I wanted the work to be enfolded in nature in such a way that light from the sun, moon and stars empowered the spaces. I wanted to bring culture to the natural surround as if one was designing a garden.
Art, whose honesty must work through artifice, cannot avoid cheating truth.
So you might say, 'Why do you end up making theatre in a world in which there is already too much of that? Creating layer upon layer of artifice?' Perhaps the function is to pierce through that cloud and show reality - so the function of art is to make things - to show: 'Hang on, this is real.'
My reputation was built on hostility. I had no friends and some very virulent enemies in the old-guard art scene when I began. They threw their heavy artillery against me. They were convinced I was perverting the public taste.
