When I was in school, we would always have running races. I was good at it. Always sprinting. I can run long distance, too.
Hurdling, sprinting, athletics in general, is always in the back of your mind.
You do, mostly, in track, different sessions, sprinting and medium sessions in different style. You have to see that even if the pace is slow in championships, you can still sprint well and you can still power the last 200, which is always the main part when the race is slow.
I've always zoomed through life in a vain attempt to keep up with my sprinting brain. If I have to choose between doing something quickly and doing it right, I often select the speedier option.
I probably prefer Spanish football to the others. It's very technical, the way they play; they keep the ball well, and whenever Spurs have played against Spanish teams in the past, they've always made it difficult for us.
The role of women has always been undervalued in the spy world, always undermined in terms of recognition. Unfairly so. It's a world that needs women.
I've always wanted to play a spy, because it is the ultimate acting exercise. You are never what you seem.
I'm always trying to come down with a win. That's what matters to me and my squad.
I always hear commentators talking about squads that have been around and that have won things; they always mention the experience of winning and knowing what it takes to win. They have only got that through winning trophies and winning competitions.
I like English football because you play all the games from the start of the Premier League to the very last game always 100%. Even when squads in the last two or three games have just been relegated, they still play 100%.
I grew up playing war. We threw dirt and rocks at each other. We'd lead attacks. We'd break up into squads. It became a neighborhood thing for a while, our neighborhood against the other neighborhood. There was always a war breaking out somewhere.
To me, as long as we've known each other, I've always thought Mick's most brilliant thing was that he could work in an area two foot square and give a very exciting performance.
I was always amazed about how much I could finally squeeze into a thirty second commercial.
St. Louis has always been special to me.
It's so funny because all those years I was working, I basically always felt that whatever job I was doing would probably be the last one I would get. I really never thought that I stacked up with the other girls.
I have always staged my fears as a way to transcend them.
My grandfather, who was always keen to promote living artists, staged an unprecedented exhibition of Peploe's works at Kirkcaldy in 1928.
I'm interested in the acting and staging of specific emotions, and so I work with actors. It's a small proportion of what I do, but it's always what people seem to focus on.
I would always fall down the big main staircase in our house. My favorite thing in the world was to pretend to be horribly killed at the top of it, and to fall dramatically down to the bottom of it.
I think the stakes are always high when you're an artist of color - to get things right, to get things perfect and make everybody happy.
