Some mystery should be left in the revelation of character in a play, just as a great deal of mystery is always left in the revelation of character in life, even in one's own character to himself.
Winning the Whitbread was a very major thing for me. I'd always been well reviewed, but this made me widely read.
I've always liked an easygoing, colloquial style. I like the kind of reviewer who is essentially a fellow reader, an enthusiast, a fan.
I've learned not to look at reviews. Early on, I did. I was always curious.
I've never revised my opinion of myself as an actor. I've always thought I was as good as my material.
I never see songs as permanent. I'm always in a state of revising everything.
After we air the call, it's gone. I always thought, 'What a waste.' That's such a powerful story, and there's no way to revisit it or share it.
It's possible that I've matured as a writer, and I hope I've matured emotionally, but I always find myself revisiting these adolescent scenes.
Revolutions are always verbose.
Courage is always rewarded.
The high road is always respected. Honesty and integrity are always rewarded.
There will always be a place for bunnies to talk in rhyme, but that's not what I do.
I've always loved rhyming. I love language.
It's always been my dream to have a monster rhythm section that's just all groove and pocket.
I always felt as a horn player, a jam session wasn't satisfying enough for me. I should have been a rhythm section player, actually.
I was always shocked when I went to the doctor's office and they did my X-ray and didn't find that I had eight more ribs than I should have or that my blood was the color green.
I've always been a big fan of ribs.
I've always ridden horses.
I have always loved animals and groomed friends' horses as a child. I think I may have even ridden the odd seaside donkey in my early years.
It's because I have no sense of shame that I'm always willing to give things a go: I've ridden horses naked into the sea, I've climbed rocks, all kinds of things.
