Usually if you read a screenplay, no matter who's writing it, the bad guy is always written as a one-dimensional bad guy.
There's always been a lot of pressure and tension on the line. If 'Pi' didn't work out, I have no idea what my career would be. I don't think I would have gotten another shot at it. If 'Requiem for a Dream' didn't work out, they would have called me a 'one-hit wonder with a sophomore slump'.
It's changed from one-hit wonder to 'Greg Rutherford wins events.' That's what I've always wanted, that level of recognition.
Gym sessions will always consist of 40 minutes to one-hour cardio. I try to stay off the treadmill because of the pounding, so it's the rower or the cross-trainer.
With episodic, kind of one-hour directing, they always have guest directors come in, so they don't have the same person week after week. You get a break.
No, and in fact I get a bit frustrated, because I'm actually quite good at one-liners, and I've had hundreds of them over the years, and they sink without trace, and I get very frustrated. Every party conference I really work on the speeches, and I always have two or three things I'm quite proud of, and no one ever remembers them.
I always say when you write a book, you're a 'one-man band.' Whereas, when you finish a screenplay, it's just a sketch.
I'm always looking for meaningful one-night stands.
The things we always disengage with are one-sided stories or one-sided characters. They're very boring. When you feel like you're being hit over the head, you disengage.
Violence, even well intentioned, always rebounds upon oneself.
I'm always thirsty when I wake up, so I guzzle a bottle of Smart water before I scramble tofu with onions, peppers and spinach and top it with salsa. I've been a vegetarian for years, but I recently became vegan.
At school I was always taller than the rest of my class, and because I was an only child, I was comfortable with adults but shy and awkward with other kids. I was quiet, bookish, and in spite of my size, hopeless at sports. In short, I was different. And even in the earliest grades, I got pounded for it.
It's one of the things I always do. I move faster onscreen. Creates a sense of danger.
I like dramas. I've always liked dramas. And I'm a pretty light person. I don't consider myself a very dramatic person. But I do like doing that onscreen.
I always wanted to be a professional athlete, it just took me a while to realise it would be in racing. I played field hockey competitively for Ontario since I was 13, 14. Then I tried for the national side and made it. But it was so competitive. The girls were just so big and strong. I was getting crushed.
Creative processes are always very opaque. Afterwards, you tend to pretend that everything was planned and it was a strategy, but it was not like that at all.
Game's always been open arms with me.
The thing about Broadway, they always welcome you with open arms.
I've got 12 reserves in my riding and have always been very available and worked very diligently on a few files. I've been out any time there is major events. So I've always had an open door policy with the chiefs and individuals on- and off-reserve.
I like to think of myself as a leader whose door is always open. But I recently learned that an open door isn't enough.
