I've always written the storyboards for the music videos, and it's been hard working with directors trying to get them to understand what I'm thinking.
I've noticed that a lot of people in film always seem interested in music videos, like it's some, like, really exciting thing they've always wanted to do or something.
At one point when I was very young, when I was first starting out, I thought, 'Well, one day I'll be able to put all the music away and become a real comedian.' But then I realized there are amazing musical comedians out there, that musical comedy is probably something I'll always want to pursue.
Yeah, well I've always played comedy. My background is musical comedy theatre and that's really where my training is. As an actor, that's my training.
I became an actor by accident. I suppose I figured since I was in musical comedy from the time I was a teenager, I suppose I figured that I'd always been in that world to some extent.
I've always played comedy. My background is musical comedy theatre, and that's really where my training is.
My father always wanted me to play a musical instrument, and I never had that type of skill.
I tried singing. I tried playing a musical instrument. I really wanted to be a musician, but I never could quite pull that off. I liked entertaining, but I was always drawn to some kind of technical work - some kind of honest labor.
I was in musical theater when I first started, so there was always both acting and singing. But as far as getting a record deal, that took time. The majority of that time, I was acting.
The truth is I love musical theater and always have.
I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.
The one thing I have always felt about musical theatre is that it is, to an extraordinary degree, about construction.
I'm very driven, and I always have been. So I'd like to release a successful album, continue in musical theatre, and be more involved in business.
My movement is usually about finding the balance between artistry, athleticism, and musicality. It always originates with a classical basis and expands outwards from that platform.
In that film, the man and the part met. As far as I'm concerned, that part is Greg's for life. I've had many, many offers to turn it into musicals, into TV or stage plays, but I've always refused.
'Europe '72' was a super influential record full of fantastic songs and amazing experimental musicianship. I always valued both of those aspects in what Sonic Youth has done through the years - being able to get very abstract and very concrete within the same song.
When I watch drummers, I always want to see energy. It's not about the proficiency of the musicianship; I'm just into the vibe and excitement of it. With drums, it's such a primeval thing.
The connector part of the mustache to the beard wasn't always really strong for me. That's kind of how it morphed, and that's kind of how my beard comes in.
From the end of 2015 to the start of 2016, I was always at the studio with Mustard, just figuring out a sound.
This ship was a league from us, and some of the men would have taken her, and I would not consent to it, and this Moore said I always hindered them making their fortunes. Was that not the reason I struck him? Was there a mutiny on board?
