When you're on set, and that clock is going, every second you spend doing something is a second you spend not doing something else. That's true of all of life, but it's very vivid on a film set because you're always managing that.
Everyone is always working on their body and trying to make it the best that they possibly can. That's what I do every single day, mostly for performance, but also just for me.
I played against Kobe a lot when I was in high school during the summers, even in college, just being that guy in L.A. coming up. He always gave me advice here and there, and even the smallest things stuck with me. I watched every single thing that Kobe did, every game, every move. He made me a student of the game.
God is ever present. He's in every breath, in every step. He's here, always, always.
Every time I hear a recording I've made, I hear all kinds of things I could improve or things I should have done. There's always so much more to be done in music. It's so vast.
I mean, I've always been a libertarian. Leave everybody alone. Let everybody else do what they want. Just stay out of everybody else's hair.
I've always reverted to a sense of childhood, just in everyday life.
Always remember that you are absolutely unique. Just like everyone else.
When lifting, I'm always with a trainer because the thing that makes a difference is that last 20% in your training, and he very scientifically looks after my food as well, because when I'm going for a 'shirt off' shot, everything changes the month before, and I'm timed down to the day.
Above everything else I've done, I've always said I've had more guts than I've got talent.
It is wrong always, everywhere, and for everyone, to believe anything upon insufficient evidence.
You have these big $200 and $300 million movies with special effects, and I've always thought, 'Gee, why don't we make 30 movies instead of one $300 million movie?' Let's shake it up a bit; wouldn't that be a better bet? Evidently not.
I've always wanted to throw a party where everyone comes with their mother's meatloaf. Everybody could evoke their mother's memory through her meatloaf.
I always wanted to be an artist, writer and poet since I was seven, and one has to live long enough to evolve as an artist and do one's finest work.
What I wanted in life always was to write something as good as 'Pinocchio.' I wanted to write. I wanted to evolve. I wanted to grow.
We Americans, who invented traffic, are always being startled by the forms into which it has evolved around the world.
I think I'm evolving, I'm always in search of bettering myself, how I can improve as a sportsman and as a person.
All my life there's always been an ex-wife or a girlfriend.
I'm always asked if the songs that I write are therapeutic, and my answer is a quick no. In fact, it could be argued that they exacerbate my neurosis.
The climate has always changed - after all, we've had numerous ice ages without human influence - but human activity has undoubtedly exacerbated Earth's natural trends beyond its capacity to adjust.
