In New Order, I played about 95% of the synths. It's not much fun for the other guys in the band when I'm playing my synth parts.
'Damage' is about taking risks, stepping into new territory regardless of the outcome.
The Beach Boys already had about four or five albums under our belt when these newcomers, The Beatles, took the U.S. by storm in early 1964.
If a comic comes out on the scene and it's really knock-out brilliant, the community is pretty good about getting the word about good newcomers.
Mahindra's brand strategy is about niches across areas of mobility.
I don't want to talk about Nicki Minaj anymore.
I started playing in nightclubs when I was about 14 in Oklahoma.
I'm a Nietzschean scholar. I've read an immense amount about nihilism and existentialism.
I started to write when I was eighteen or nineteen. However, until I was about twenty-three, I didn't take it that seriously.
I've been writing since I was about thirteen but didn't start a book until 2007. I spent four years writing a sci-fi novel before I wrote 'The Bone Season' at nineteen.
In the nineties, everybody wants to talk about their rights and privileges. Twenty-five years ago, people talked about their obligations and responsibilities.
Only one percent of artists are really profitable and successful. Beyonce is oneβtenth of one percent. When we talk about what she can do, ninety-nine percent of artists can't do that.
So many kids dream about playing in the NFL. But I was 130 pounds in ninth grade. I looked around and didn't see any 130-pound wide receivers in the pros.
No one cares about your logo, nor the font size that's on your site.
No one cares about anything until itβs something that goes viral. Itβs most certainly frustrating.
The thing about my music is, there really is no point.
There's no point about whining or complaining or screaming.
I was the guy who was constantly speaking out against the Vietnam War. I have no regrets about that.
I have no regrets about being poor.
Forget about Nobel prizes; they aren't really very important.
