You live in a bubble, generally, when you're touring and recording - you're in confined - in alone space, wherever you are, in the dressing room or in the studio - so sometimes it's hard to grasp that bigger picture of things that are going on.
The time period I had in my life to look like an idiot and fail, and for no one to see that, came and went when I was 17. When you have early success, people are just lying in wait.
We got to see Sondheim shows, 'Phantom of the Opera,' 'Cats' and all sorts of stuff. When you're 10 or 11 years old, it's just magnificent. The story-telling, the music - it lifts you out of your seat.
I first started listening to Sondheim's work when I was a kid.
In ballet class, I felt like Ralph Wiggum.
It wasn't that I got pinned against my locker, but I was intensely aware that the things I valued weren't shared by anyone. Girls didn't like me, and I had few friends.
