I'm comfortable airing my laundry. I don't think one thing's dirty or clean. It's just what I wear.
I prayed fervently for a series regular job on a show that had the perceived caliber of talent that '30 Rock' had.
Often times, if you're a bit of a crossover artist, audiences see you as only one thing.
On stage, everyone stays put; the vantage point is always the vantage point, and you have to play to the size of the house. And of course, on film, there's different angles, different shots, so that determines how animated or how still you must be.
One thing about my dinner parties - they're never planned. I go to the grocery store, and I buy whatever is on sale. I get a lot of it, and I just send out a mass text: 'I just bought food. Dinner's at 8. Text me if you're coming.'
I am well aware of my good fortune, and I only hope to diversify so I can do what I'm already doing for more people as opposed to being so large and so great that I no longer want to do the thing that got me here.
I'm obsessed with the 'Real Housewives ATL,' sorry about it. It's one of my favorite shows of all time.
I will work for Tina Fey forever.
To somehow shrink so that you might be more comfortable is a foreign language to me. It's a trait that I've never had. And that I hope I never, ever have.
I make amazing fried chicken. The secret is taco seasoning.
I hover closer to earth than I do the clouds.
I'm very much an introvert.
Carol Kane is just as warm as you would think she is, and she is so smart and really a living legend and has so much to offer.
I get to do some unbelievably layered things. The material that I'm given is so complex, and I'm so grateful for it, so I welcome any opportunities to push boundaries.
I love 'Bates Motel.' I'm a huge Vera Farmiga fan, and I'm a huge Freddie Highmore fan. In fact, that entire principal casting.
I tell you, my naps are epic. They win awards.
Singing is how I express everything. Hunger, needing new clothes... it's all through song.
Here's what I'm going to say about that: my personal thought about the brilliance of 'Peeno Noir' as proven by the fans' appreciation is that, when watched back, what makes it so exciting is the random locations and the random costume changes and the multiple shots that we've done all over the city.
I worked at Ruby Foos early on as a host. I was only there for a little bit, but I had several odd jobs to pay the bills before that. And being in New York for the first year, I got here in 2003, and it was a very exciting but very scary time not knowing how you would make ends meet and me trying to meet people.
I enjoy my alone time, but I'm an open book.
