The year most of my high school friends and I got our driver's permits, the coolest thing one could do was stand outside after school and twirl one's car keys like a lifeguard whistle. That jingling sound meant freedom and power.
I used to think that nails-down-a-chalkboard was the worst sound in the world. Then I moved on to people-eating-cereal-on-the-phone. But only this week did I stumble across the rightful winner: it's the sound of a baggage carousel coming to a grinding halt, having reunited every passenger on your flight with their luggage, except for you.
Our culture's obsession with vintage objects has rendered us unable to separate history from nostalgia. People want heart. They want a chaser of emotion with their aesthetics.
My personality, when tasked with creating meals, goes something like this: Is there a way we can make this more difficult? Because let's do that. I don't mean to complicate things. It's just - why buy pre-packaged potato salad when you can spend your morning boiling potatoes and flipping out because there's no dill in the house?
As we grow up, it feels like you should either invite people into your life or not. There should be fewer and fewer instances of friends you 'can only take in small doses.'
They say it's not the snoring itself but those anxiety-packed moments in between snorts. It's the waiting for the nasal passages of the person lying beside you to strike again. And strike it always does. In the dark, almost against your will, you produce that special glare reserved for people who cannot control their own behaviour.
Sometimes in New York, you're walking down the street and you realize there's a girl walking in front of you whose thighs you could hit a golf ball through, and maybe that makes you depressed.
I don't do emoticons unless I'm making a big deal out of them. I'll type out, 'This is so amusing it makes me want to grin in pixels.' And then do it.
When I was nine years old, I wrote a short story called 'How to Build a Snowman,' from which no practical snowperson-crafting techniques could be gleaned. The story was an assignment for class and it featured a series of careful but meaningless instructions. Of course, the building of the snowman was a red herring.
I love to bake, so I made vanilla bean and blueberry muffins for sick hospital children. Just kidding! All of that is true except the sick children part.
I was diagnosed with a severe temporal spatial deficit, a learning disability that means I have zero spatial relations skills. It was official: I was a genius trapped in an idiot's body.
I hope to one day co-sign a lease with another person but, well, it doesn't plague me that I have yet to do so. Put it this way: I've never had to violently tug at my own pillow at 2 A.M. to get myself to stop snoring.
Being a writer is an endless study in human transition and lessons learned or forgotten or misapplied.
There's an 'Everything must go!' emotional liquidation feel to the end of your twenties, isn't there? What will happen if we turn thirty and we're not 'ready?' You don't feel entirely settled in any aspect of your life, even if you are on paper.
It's funny. People often compare me to other humor essayists. They're usually quite nice comparisons; I will accept those gladly. But I am always sort of appalled at the idea of being lumped with other, more chick-y female writers. And the truth is probably that neither comparison is accurate.
The Queen of Crafts herself, Martha Stewart, and I have the same birthday. I prefer to think it's the glue-gun wielding, perfect-tart-producing Martha and not the copper pan-throwing, jail-going Martha. But I suppose if I am going to share a calendar square with some of Martha, I have to share it with all of Martha.
Every day of my adult life, I have worn at least one piece of jewelry from my maternal grandmother's collection, all of which were manufactured by famed Danish silversmith Georg Jensen. To the naked eye, I am either a Jensen loyalist or a grandmother loyalist. Really I am just a Pretty Things loyalist.
For me, titles are either a natural two-second experience or stressful enough to give you an ulcer. If they don't pop out perfect on the first try, they can be really hard to repair. Or, worse, if the author thinks they pop out perfect, but the publishing house does not agree, it's difficult to shift gears. And then? Then you go insane.
I definitely rediscovered reading for pleasure by devoting such a large swath of my time to sitting on airplanes. I am now painfully adept at removing my shoes so as to have the least amount of foot surface area touching an airport floor.
My mother is a special education teacher but also an artist, and my father an advertising executive. They are about as wacky as you can get without being alcoholics.