Ambiguity in directors is a hard thing to deal with.
I think when someone becomes an actor, people say, Aw, you could see it in him when he was little. But I think you can see that quality in every little kid.
There's been a boiling down of real emotion into a set pattern instead of individualism.
In this business, you're either Brad Pitt right away, or you're already going down the ladder.
I grew up in a small farming town called Concord, outside Charlotte in North Carolina.
I guess I'm a little charmed. I never thought this would happen so quick.
As a kid I used to pretend I was John Denver, of all people, and play the guitar and sing Take Me Home, Country Roads.
My problem with interviews, one day I'll think one thing, and the next day I'll think the exact opposite.
What's the classical moment that every actor or actress deals with? A tragic thing. They get that blank, faraway look in their eyes. But in life, it's not that way.
I think people could justify labeling me if they saw a pattern in what I do, but right now that's impossible.
I was nicknamed Skeeter in Little League because I was small and fast, like a mosquito flying across the outfield.
Because of the need to remove all modernism, we stayed in the middle of nowhere all day long, living out of tents. It was cold. It definitely set the scene.
I don't use the techniques I learned at NYU much anymore.
Whatever labels are being pinned on me have nothing to do with me.
I'm not the most talkative guy in the world.
There's a lot of reasons you can think of to say why you act, but I can only say that it just felt good. At the same time, it felt really painful. It's still troubling and stressful to me.
