I think books, novels and autobiographies have a power to touch people far more personally than films do, so there's a bit more of a responsibility when you then dramatise it.
What's lovely about what I do for a living is the vast chasm of variety that constantly just comes at you from all angles.
When you work in a creative environment, people get protective about their ideas. Sometimes it's justified; sometimes it's about ego.
I think people should feel less restricted by the perimeters of things like 'menswear' and 'womenswear.' It's not something that I really give much credence to when I'm buying clothes. I buy mostly ladies clothes. I think to be yourself, first and foremost, that's the easiest way to think about it.
I didn't read a lot of comic books. But I was into 'Dandy and The Beano,' which were like a weekly pulp fiction that featured characters like Desperate Dan, Dennis the Menace, and Billy Whizz - pretty simplistic stuff but very entertaining.
I was a huge fan of 'Fargo.' I binge-watched the first two seasons in a couple of weeks. I loved that series.
Acting is an incredibly gratifying, creative experience when you're doing it. But in the off-season, you want to scratch that itch, and writing has become that to me. It's a really pure form of creativity. It's good for my mental health in the same way reading books is good for me. It makes the day brighter.
I've been largely undecided about everything for most of my life. I can barely commit to a phone bill... Somewhere along the line it has become my career due to continuing work.
I've done a few roles in the past where people got quite worried when I started drifting away from what was written on the script. Often, they see improvisation as worrisome, because that's adding time to their day. But, in 'The Umbrella Academy,' they didn't worry too much about that, because Netflix has loads of money.
