My mind is changing all the time. I can't live in a space that has a fixed aesthetic. I just need a blank slate when I come home.
As a young woman, I was disturbed by the fact that there was no imagery that truly expressed the experience of a young woman and the challenges and turbulence we go through. All we had were teenage magazines like 'Cosmopolitan,' which are very one-sided and show an objectified view of women.
I'm used to seeing women being degraded, slut shamed, harassed for what they look like. Even the most powerful women in the world are measured by their appearance and constantly ridiculed for it.
Women's emotions are constantly labeled. Any slight deviation from 'pleasantness,' and we are labeled as hysterical. When we are angry, sad, depressed, or manic, we are immediately seen as unfeminine or ugly or weak.
Curating, in the modern sense, is something I gravitate to. Taking different ideas from a bunch of different places and putting them into one place or space, a story that makes sense or a new idea. Everything is remixed and taken from other things to make something new.
From the beginning of puberty, I did really badly in school. I was super dyslexic; I was in special ed. I had a hard time reading and writing, so I thought that my self worth was in my looks, how I presented myself, and how other people perceived me.
I want to direct a feature film. Horror is my main genre.
I didn't see spaces where female artists could exist and exhibit their work. So I created a platform for this - one that allowed our works to be seen, but to also weave a community of women that could lean on and work with one another.
When I was 16, I created this online platform for female artists. I messaged women who I loved; that's how I got work and connected with people. You don't need to plead for entry into a system that doesn't want you anyway.
I always had this feeling, what I wanted to do. I was trying to work out myself, my frustrations, my body. I couldn't really pinpoint. I started taking photos of my sister and her friends. I was 15, exploring what it meant to be a 15-year-old girl.
The feminist movement is way bigger than the word. I don't police people on what they call themselves, but equality and a general sense of togetherness are really important to me.
I keep this Hungarian wooden candlestick on the top of my refrigerator along with all my other candles. It's big and ugly, especially next to all my pretty candles, and it doesn't really make sense to have in my apartment.
Being taken seriously as a young woman is the biggest hurdle as I grow older.
When a woman is anything but pleasant, she is labeled as whiny, hysterical, etc.
I really wanted to feel strong, I wanted my subjects to feel strong, but I didn't know how to do that. It's really hard for, I guess, every woman to not internalize misogyny. I just learned as I went on how to best capture my subjects without objectifying them.
I wish I didn't think about what my body looks like. It can be done - it's just a long process.
I think being collaborative is definitely more natural for people who are minorities in any sense - so people who aren't, like, white male artists - because we don't have the privilege to create art and work alone, usually.
I know having a social media profile removed is a 21st century privileged problem - but it is the way a lot of us live. These profiles mimic our physical selves and a lot of the time are even more important. They are ways to connect with an audience, to start discussion, and to create change.
The selfie is a powerful tool, but it can also be dangerous, and I am fascinated with the process of it because there is a level of self-monitoring.
I think the gender norms of emotion are horrendous. Being masculine means showing zero emotions, but having the choice to be angry or depressed. Being female means you are one dimensional - if you show more than that, you are a psycho, hysterical, or historically, a witch.
