I was struggling with anorexia, and one of the biggest problems with an eating disorder is you don't realize you have it. And you can't heal until you realize there's a problem.
For several years I had no idea that I had become anorexic. And I'd be at places with people I cared about, but what I was thinking about was how much extra grease was on the pizza or the calories that I knew was in that shake.
All the things I do in my videos - the jumps, twirls and back bends - will also be onstage.
I can remember dancing around living room with my two sisters to the music of Paganini and Mozart. I can still remember my dad combing the newspaper, circling all the free concerts in town, and on the weekends, we would go as a family.
Maker is extremely proactive and creative with their talent. They seem to have mastered the difficult task of giving attention to their smaller, growing channels while still being able to add value to their larger established channels - plus, with this partnership, I am one step closer to becoming a Disney princess!
The great thing about YouTube is there are no gatekeepers. No one is waiting to tell you if you're good enough. It's just your audience.
If your mom asks you to do the dishes, do not pull out your pirate attitude. But if someone tells you you're not good enough, says your dreams are too lofty, or claims there is no room in showbiz for a dancing violinist - well then, by all means, pull out your eye patch, my friend, and take to the high seas.
There is such an advantage to self-releasing. If you can do it yourself, it's the best way to go. In Europe and the rest of world outside the U.S., I have licensed my music to labels. But it's amazing because I still own all the masters. I didn't have to give up any of those rights. I have 100 percent creative control.
I tried so many different musics. I kind of burned out on classical and wanted to make it fun again. I started playing with indie bands and country bands and finally realized electronic music brought my style to life.
I was classically trained. But more than just the fact that I play violin, there's a lot of classical elements in the way I write, in the way I hear chords. A lot of times, I think of my songs as a symphony made out of electronics rather than instruments. And I love to do orchestral arrangements of my songs after they're done.
There are very few things that I love more than being on stage and performing, but more than anything, I want to be a positive role model for teenage girls.
I started making music that I loved and was passionate and excited about, but it was really cool when I started touring to realize it's an extremely diverse group of people who come out. In the front row, I'll have everyone from a little girl in a frilly tutu, to rockers and gamers and older couples. I love it that it's just everybody.
I draw inspiration from my life, and, honestly, a lot of my religious beliefs have stemmed into my music.
I submitted videos and applications to talent agencies and TV shows; I drove to Vegas and visited agents. I was on 'America's Got Talent'; I played for free at venues in attempts to be 'found' and yet all the experts in the entertainment industry told me that what I did was not marketable and that I had to join a group or do more traditional music.
As a dancing violinist, there have been a couple of moments where I'm like, 'Oops! This is an expensive mistake!'
Visualization - it's been huge for me. Your mind doesn't know the difference between imagination and reality. You can't always practice perfectly - my fingers will play a little bit out of tune, or my dance moves might not be as sharp - but in my mind, I can practice perfectly.
