I'm not much of a risk taker, I'm more of an arty farty person.
Writing 'If Chloe Can' has taken me on an amazing journey: from launching the event at Downing Street, to a performance to 1,000 inner-city school girls at a West End theatre, then to an audience of hundreds more at the Royal Society of Chemistry.
In an ideal world, I would constantly be doing different characters in different worlds.
One of the joys about my job is that I've been able to constantly move and keep changing. The whole point of being an actor is you change your exterior everytime you do a new job and that's what keeps it exciting.
For women to succeed in politics, business and entrepreneurial ventures they have to battle against a stereotype of being heartless and unfeminine.
I briefly flirted with the idea of more stable career choices but they never excited me. I know it's a bit of a cliche but I remember doing school plays in primary school and feeling at home on the stage.
I wish I didn't have to validate myself by reading reviews.
